<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:googleplay="http://www.google.com/schemas/play-podcasts/1.0"><channel><title><![CDATA[Tarka Journal]]></title><description><![CDATA[Tarka is a journal of yoga philosophy & contemplative studies. Its mission is to dissolve the institutionalized boundaries between scholarly, devotional, and embodied methods,  in an effort to forge new paradigms of cross-disciplinary research & practice.]]></description><link>https://read.tarkajournal.com</link><image><url>https://substackcdn.com/image/fetch/$s_!SX2H!,w_256,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F462a2273-a9f1-4b7d-80ec-ace82bf3b347_1280x1280.png</url><title>Tarka Journal</title><link>https://read.tarkajournal.com</link></image><generator>Substack</generator><lastBuildDate>Sat, 17 Oct 2026 20:42:50 GMT</lastBuildDate><atom:link href="https://read.tarkajournal.com/feed" rel="self" type="application/rss+xml"/><copyright><![CDATA[Embodied Philosophy]]></copyright><language><![CDATA[en]]></language><webMaster><![CDATA[tarkajournal@substack.com]]></webMaster><itunes:owner><itunes:email><![CDATA[tarkajournal@substack.com]]></itunes:email><itunes:name><![CDATA[Tarka Journal]]></itunes:name></itunes:owner><itunes:author><![CDATA[Tarka Journal]]></itunes:author><googleplay:owner><![CDATA[tarkajournal@substack.com]]></googleplay:owner><googleplay:email><![CDATA[tarkajournal@substack.com]]></googleplay:email><googleplay:author><![CDATA[Tarka Journal]]></googleplay:author><itunes:block><![CDATA[Yes]]></itunes:block><item><title><![CDATA[Iconography from Tarka Vol. 1, On Bhakti ]]></title><description><![CDATA[By Ekabhumi Charles Ellik]]></description><link>https://read.tarkajournal.com/p/iconography-from-tarka-vol-1-on-bhakti</link><guid isPermaLink="false">https://read.tarkajournal.com/p/iconography-from-tarka-vol-1-on-bhakti</guid><pubDate>Thu, 15 Oct 2026 13:55:27 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!Urre!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F7cc5023f-c7d9-4095-bf20-4ac875ff14bd_1024x640.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!Urre!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F7cc5023f-c7d9-4095-bf20-4ac875ff14bd_1024x640.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!Urre!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F7cc5023f-c7d9-4095-bf20-4ac875ff14bd_1024x640.jpeg 424w, https://substackcdn.com/image/fetch/$s_!Urre!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F7cc5023f-c7d9-4095-bf20-4ac875ff14bd_1024x640.jpeg 848w, https://substackcdn.com/image/fetch/$s_!Urre!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F7cc5023f-c7d9-4095-bf20-4ac875ff14bd_1024x640.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!Urre!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F7cc5023f-c7d9-4095-bf20-4ac875ff14bd_1024x640.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!Urre!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F7cc5023f-c7d9-4095-bf20-4ac875ff14bd_1024x640.jpeg" width="1024" height="640" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/7cc5023f-c7d9-4095-bf20-4ac875ff14bd_1024x640.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:640,&quot;width&quot;:1024,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:254743,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:&quot;https://read.tarkajournal.com/i/220534678?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F7cc5023f-c7d9-4095-bf20-4ac875ff14bd_1024x640.jpeg&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!Urre!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F7cc5023f-c7d9-4095-bf20-4ac875ff14bd_1024x640.jpeg 424w, https://substackcdn.com/image/fetch/$s_!Urre!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F7cc5023f-c7d9-4095-bf20-4ac875ff14bd_1024x640.jpeg 848w, https://substackcdn.com/image/fetch/$s_!Urre!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F7cc5023f-c7d9-4095-bf20-4ac875ff14bd_1024x640.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!Urre!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F7cc5023f-c7d9-4095-bf20-4ac875ff14bd_1024x640.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg" class="icon-noB79L"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image buttonBase-GK1x3M"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2 icon-noB79L"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p>Images and text from Ekabhumi Charles Ellik. Previously published by Sounds True in <em>The Bhakti Coloring Book</em> (2018) and <em>The Shakti Coloring Book</em> (2015).</p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!5cCJ!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fd4a8443f-9a3e-499b-9e64-e6091befd406_1024x983.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!5cCJ!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fd4a8443f-9a3e-499b-9e64-e6091befd406_1024x983.png 424w, https://substackcdn.com/image/fetch/$s_!5cCJ!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fd4a8443f-9a3e-499b-9e64-e6091befd406_1024x983.png 848w, https://substackcdn.com/image/fetch/$s_!5cCJ!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fd4a8443f-9a3e-499b-9e64-e6091befd406_1024x983.png 1272w, https://substackcdn.com/image/fetch/$s_!5cCJ!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fd4a8443f-9a3e-499b-9e64-e6091befd406_1024x983.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!5cCJ!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fd4a8443f-9a3e-499b-9e64-e6091befd406_1024x983.png" width="1024" height="983" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/d4a8443f-9a3e-499b-9e64-e6091befd406_1024x983.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:983,&quot;width&quot;:1024,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:1376495,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/png&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:&quot;https://read.tarkajournal.com/i/220534678?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fd4a8443f-9a3e-499b-9e64-e6091befd406_1024x983.png&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!5cCJ!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fd4a8443f-9a3e-499b-9e64-e6091befd406_1024x983.png 424w, https://substackcdn.com/image/fetch/$s_!5cCJ!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fd4a8443f-9a3e-499b-9e64-e6091befd406_1024x983.png 848w, https://substackcdn.com/image/fetch/$s_!5cCJ!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fd4a8443f-9a3e-499b-9e64-e6091befd406_1024x983.png 1272w, https://substackcdn.com/image/fetch/$s_!5cCJ!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fd4a8443f-9a3e-499b-9e64-e6091befd406_1024x983.png 1456w" sizes="100vw"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg" class="icon-noB79L"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image buttonBase-GK1x3M"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2 icon-noB79L"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><h3><strong>Mandala of the Divine Dance</strong></h3><p>R&#257;dh&#257; and K&#7771;&#7779;&#7751;a are depicted at the center of a joyous group of dancing milkmaids (<em>gopis</em>). The figures are portrayed in a circular dance, known as the<em> r&#257;s-l&#299;l&#257;</em>, which means &#8220;sweet act&#8221; or &#8220;divine dance.&#8221; This celebrated event took place during a full-moon nights, when the milkmaids of Vrindavan snuck away from their households to the forest when they heard K&#7771;&#7779;&#7751;a playing his flute. There, they danced and engaged in love play throughout the night. Esoterically, this long &#8220;night&#8221; is the Night of Brahm&#257;, which lasts approximately four billion years! It is a metaphor for the dance of life and for the romantic nature of Bhakti yoga, wherein a devotee falls in ecstatic spiritual love with the deity.</p><div><hr></div><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://read.tarkajournal.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">Tarka is a reader-supported journal of yoga philosophy and contemplative studies. 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fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg" class="icon-noB79L"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image buttonBase-GK1x3M"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2 icon-noB79L"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a><figcaption class="image-caption">Photo by <a href="https://unsplash.com/@_tanuj_">Tanuj Adhikary</a> on <a href="https://unsplash.com">Unsplash</a></figcaption></figure></div><p>Goddess of the leftovers, the misfits,</p><p>she wants to see me, in beauty and grit,</p><p>She hears the stories, sings along,</p><p>Comes to life in my hands,</p><p>As I in hers, formed, from formless</p><p></p><p>My love</p><p></p><p>Not <em>my</em> love, but <em>The Love</em>,</p><p>Boundless love, she is all, she is all, she is all,</p><p>The field on which all arises,</p><p>All love born from her,</p><p>Worlds made manifest,</p><p>Terror and grace,</p><p></p><p>My heart stretches to contain all of her,</p><p>yet her expanse could never be contained.</p><p>I feel myself opening to receive her,</p><p>yet it&#8217;s she who holds me.</p><p>I see myself in her,</p><p>yet it&#8217;s she who fills me.</p><p></p><p>Drunk off your nectar, swimming in bliss,</p><p>euphoria</p><p></p><p>What will we give birth to, together, love,</p><p>What grace,</p><p>What glory,</p><p>All in your name,</p><p>All in your name</p><div><hr></div><p><strong>Margaux Knox </strong>is a writer, and long-term student and teaching assistant of Embodied Philosophy&#8217;s S&#257;dhana School, a year-long programme into the Non-Dual Tantrik traditions of Kashmir. This poem was composed by Margaux during the end-of-year Summer Retreat.</p><h3><strong>Interested in exploring the Goddess further? </strong></h3><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!KrYE!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5956340e-9c69-430c-91e3-7e9982e2f40b_2706x1242.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!KrYE!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5956340e-9c69-430c-91e3-7e9982e2f40b_2706x1242.png 424w, 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data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/5956340e-9c69-430c-91e3-7e9982e2f40b_2706x1242.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:668,&quot;width&quot;:1456,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:1295231,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/png&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:&quot;https://read.tarkajournal.com/i/219305287?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5956340e-9c69-430c-91e3-7e9982e2f40b_2706x1242.png&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!KrYE!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5956340e-9c69-430c-91e3-7e9982e2f40b_2706x1242.png 424w, https://substackcdn.com/image/fetch/$s_!KrYE!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5956340e-9c69-430c-91e3-7e9982e2f40b_2706x1242.png 848w, https://substackcdn.com/image/fetch/$s_!KrYE!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5956340e-9c69-430c-91e3-7e9982e2f40b_2706x1242.png 1272w, https://substackcdn.com/image/fetch/$s_!KrYE!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5956340e-9c69-430c-91e3-7e9982e2f40b_2706x1242.png 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg" class="icon-noB79L"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image buttonBase-GK1x3M"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2 icon-noB79L"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><h3><strong>Join Navar&#257;tri S&#257;dhana for 10-days of learning about and practising with the Goddess, starting October 11th.</strong></h3><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://enroll.embodiedphilosophy.com/navaratri-2026&quot;,&quot;text&quot;:&quot;Learn more &amp; join&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://enroll.embodiedphilosophy.com/navaratri-2026"><span>Learn more &amp; join</span></a></p><h3></h3>]]></content:encoded></item><item><title><![CDATA[Śavāsana: The Gesture of Death]]></title><description><![CDATA[From Tarka Journal Vol. 4, On Death, by Oliver Thorne]]></description><link>https://read.tarkajournal.com/p/savasana-the-gesture-of-death</link><guid isPermaLink="false">https://read.tarkajournal.com/p/savasana-the-gesture-of-death</guid><pubDate>Wed, 07 Oct 2026 16:23:56 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!B18x!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4efc5576-e0d0-4ddf-89fe-ee37b1b91e6a_1365x2048.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!B18x!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4efc5576-e0d0-4ddf-89fe-ee37b1b91e6a_1365x2048.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!B18x!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4efc5576-e0d0-4ddf-89fe-ee37b1b91e6a_1365x2048.jpeg 424w, https://substackcdn.com/image/fetch/$s_!B18x!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4efc5576-e0d0-4ddf-89fe-ee37b1b91e6a_1365x2048.jpeg 848w, https://substackcdn.com/image/fetch/$s_!B18x!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4efc5576-e0d0-4ddf-89fe-ee37b1b91e6a_1365x2048.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!B18x!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4efc5576-e0d0-4ddf-89fe-ee37b1b91e6a_1365x2048.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!B18x!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4efc5576-e0d0-4ddf-89fe-ee37b1b91e6a_1365x2048.jpeg" width="1365" height="2048" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/4efc5576-e0d0-4ddf-89fe-ee37b1b91e6a_1365x2048.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:2048,&quot;width&quot;:1365,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:104570,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:&quot;https://read.tarkajournal.com/i/219291347?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4efc5576-e0d0-4ddf-89fe-ee37b1b91e6a_1365x2048.jpeg&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!B18x!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4efc5576-e0d0-4ddf-89fe-ee37b1b91e6a_1365x2048.jpeg 424w, https://substackcdn.com/image/fetch/$s_!B18x!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4efc5576-e0d0-4ddf-89fe-ee37b1b91e6a_1365x2048.jpeg 848w, https://substackcdn.com/image/fetch/$s_!B18x!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4efc5576-e0d0-4ddf-89fe-ee37b1b91e6a_1365x2048.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!B18x!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4efc5576-e0d0-4ddf-89fe-ee37b1b91e6a_1365x2048.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg" class="icon-noB79L"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image buttonBase-GK1x3M"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2 icon-noB79L"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p>Hans-Georg Gadamer, in his monumental <em>Truth and Method (1960)</em> describes philosophical hermeneutics as a process of self-understanding; a play between the strange and the familiar, where all interpretation tells us as much about ourselves as it does about anything else. Gadamer&#8217;s work is concerned with the interpretation of texts, but here I want to examine this play between familiarity and strangeness in relation to yogic-tantric practice known as &#347;av&#257;sana.<a class="footnote-anchor" data-component-name="FootnoteAnchorToDOM" id="footnote-anchor-1" href="#footnote-1" target="_self">1</a></p><p>Yoga is an activity which has become familiar to most of us. Today it is a household word, everyone knows what yoga is. It is found in gyms and health clubs, in spas and studios, and we see images of yoga everywhere, in magazines, advertisements, and movies. Usually understood as a series of physical stretches, perhaps with some breathing, and often including some form of relaxation and perhaps a sitting meditation or mindfulness technique. And yet, yoga is a very strange activity. Through yogic-tantric practice, I take up my body, my unconscious activities, my everyday deeds, and my scattered thoughts, and I attempt to refine them into something unified and ultimately divine. This goes against our usual everyday understanding of the world as a place where we survive, manipulate, and project onto existence. Yoga has become familiar: a fitness program, a stretching technique, a way to de-stress. But I think there is a real need to preserve this strangeness of yoga-tantra.</p><div><hr></div><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://read.tarkajournal.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">Tarka is a reader-supported journal of yoga philosophy and contemplative studies. Subscribe to receive weekly articles and educational resources.</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><div><hr></div>
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   ]]></content:encoded></item><item><title><![CDATA[Defining Bhakti]]></title><description><![CDATA[By Pranada Comtois, from Tarka Vol. 1, On Bhakti]]></description><link>https://read.tarkajournal.com/p/defining-bhakti</link><guid isPermaLink="false">https://read.tarkajournal.com/p/defining-bhakti</guid><dc:creator><![CDATA[Pranada]]></dc:creator><pubDate>Wed, 30 Sep 2026 17:01:21 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!KSVx!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F246fa0f0-ffd0-4671-995d-f637691ef3b3_942x828.png" length="0" type="image/jpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!KSVx!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F246fa0f0-ffd0-4671-995d-f637691ef3b3_942x828.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!KSVx!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F246fa0f0-ffd0-4671-995d-f637691ef3b3_942x828.png 424w, https://substackcdn.com/image/fetch/$s_!KSVx!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F246fa0f0-ffd0-4671-995d-f637691ef3b3_942x828.png 848w, https://substackcdn.com/image/fetch/$s_!KSVx!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F246fa0f0-ffd0-4671-995d-f637691ef3b3_942x828.png 1272w, 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srcset="https://substackcdn.com/image/fetch/$s_!KSVx!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F246fa0f0-ffd0-4671-995d-f637691ef3b3_942x828.png 424w, https://substackcdn.com/image/fetch/$s_!KSVx!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F246fa0f0-ffd0-4671-995d-f637691ef3b3_942x828.png 848w, https://substackcdn.com/image/fetch/$s_!KSVx!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F246fa0f0-ffd0-4671-995d-f637691ef3b3_942x828.png 1272w, https://substackcdn.com/image/fetch/$s_!KSVx!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F246fa0f0-ffd0-4671-995d-f637691ef3b3_942x828.png 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg" class="icon-noB79L"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image buttonBase-GK1x3M"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2 icon-noB79L"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p>You&#8217;ve probably heard that <em>bhakti</em> is devotion or love. Though that&#8217;s correct, neither word completely conveys what <em>bhakti</em> is. Consider these questions: If you&#8217;re fully devoted to &#8211; even obsessed with &#8211; your Olympic training, your dance, basketball, or other sport, your music, art, or work, are you engaged in <em>bhakti</em>? If you love and serve your children, partner, community, or nation, do you have <em>bhakti</em>?</p><div><hr></div><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://read.tarkajournal.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">Tarka is a reader-supported journal of yoga philosophy and contemplative studies. 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   ]]></content:encoded></item><item><title><![CDATA[What’s wrong with the Perennial Philosophy?]]></title><description><![CDATA[From Guest Contributor, Jules Evans]]></description><link>https://read.tarkajournal.com/p/whats-wrong-with-the-perennial-philosophy</link><guid isPermaLink="false">https://read.tarkajournal.com/p/whats-wrong-with-the-perennial-philosophy</guid><pubDate>Wed, 23 Sep 2026 17:01:30 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!FZWw!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe41b1f31-5426-470e-8ee9-0e798ea6d65b_1536x1024.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!FZWw!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe41b1f31-5426-470e-8ee9-0e798ea6d65b_1536x1024.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!FZWw!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe41b1f31-5426-470e-8ee9-0e798ea6d65b_1536x1024.jpeg 424w, https://substackcdn.com/image/fetch/$s_!FZWw!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe41b1f31-5426-470e-8ee9-0e798ea6d65b_1536x1024.jpeg 848w, https://substackcdn.com/image/fetch/$s_!FZWw!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe41b1f31-5426-470e-8ee9-0e798ea6d65b_1536x1024.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!FZWw!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe41b1f31-5426-470e-8ee9-0e798ea6d65b_1536x1024.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!FZWw!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe41b1f31-5426-470e-8ee9-0e798ea6d65b_1536x1024.jpeg" width="1456" height="971" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/e41b1f31-5426-470e-8ee9-0e798ea6d65b_1536x1024.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:971,&quot;width&quot;:1456,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:255136,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:&quot;https://read.tarkajournal.com/i/215993467?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe41b1f31-5426-470e-8ee9-0e798ea6d65b_1536x1024.jpeg&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!FZWw!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe41b1f31-5426-470e-8ee9-0e798ea6d65b_1536x1024.jpeg 424w, https://substackcdn.com/image/fetch/$s_!FZWw!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe41b1f31-5426-470e-8ee9-0e798ea6d65b_1536x1024.jpeg 848w, https://substackcdn.com/image/fetch/$s_!FZWw!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe41b1f31-5426-470e-8ee9-0e798ea6d65b_1536x1024.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!FZWw!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe41b1f31-5426-470e-8ee9-0e798ea6d65b_1536x1024.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg" class="icon-noB79L"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image buttonBase-GK1x3M"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2 icon-noB79L"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p>In <a href="http://www.philosophyforlife.org/a-review-of-sam-harris-waking-up-a-guide-to-spirituality-without-religion/">my review of Sam Harris&#8217; Waking Up</a>, I wrote this sentence: &#8220;Spiritual experiences tell us something about the cosmos,&#8230;the experience of infinite loving-consciousness is a glimpse of the very ground of being, also sometimes called God, Brahman, Allah, the Logos, the Tao, the Buddha-realm.&#8221;</p><p>This sentence seemed to surprise some people &#8211; one reader asked what it was exactly I believed, while another reader who said reading my blog helped bring him back to Christianity promptly cancelled his subscription!</p><p>So what is behind that statement? Well, it&#8217;s a classic expression of something called the Perennial Philosophy, which is the belief that at the core of all the great religions and wisdom traditions is the same mystical experience of Ultimate Reality. All the surface disagreements, different names for Ultimate Reality, different myths etc are just window-dressing.</p><p>The Perennial Philosophy has its historical roots in the syncretism of Renaissance humanists like Marsilio Ficino and Pico della Mirandola, who suggested that Plato, Jesus, Hermes Trismegistus and the Kabbalah were all pointing to the same God (they were almost excommunicated as a result). Leibniz also championed the <em>philosophia perennis.</em> You can see it flourishing in the transcendentalism of Emerson, Coleridge and Thoreau.</p><p>The idea then reached a mass-market through Aldous Huxley&#8217;s 1945 book, <em>The Perennial Philosophy</em>, and then in the 1960s it became almost the foundational idea of the New Age, spread through centres like Esalen, the California spiritual community that developed the &#8216;religion of no religion&#8217;.</p><div><hr></div><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://read.tarkajournal.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">Tarka is a reader-supported journal of yoga philosophy and contemplative studies. Subscribe to receive weekly articles and educational resources.</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><div><hr></div><p>I&#8217;d suggest the <em>Perennial Philosophy</em> is in some ways the ruling spiritual philosophy of our time, including in its ranks everyone from Sam Harris to Abraham Maslow to Ken Wilber to Prince Charles &#8211; yes, the defender of the Anglican faith is a devotee of Perennialism (read <a href="http://www.sacredweb.com/conference06/conference_introduction.html">this fascinating speech</a> he gave about it).</p><p>&#8216;One mountain, many paths.&#8217; It&#8217;s the philosophy I grew up in, as did all of my friends. We loved the Upanishads, Rumi, the I-Ching, Walt Whitman, Carlos Castaneda, Chang-Tzu, Marcus Aurelius, the Dhammapada (we tended to give the Bible a wide berth, like an ex at a cocktail party).</p><p>The Perennial Philosophy is a much more natural attitude to me than the exclusivism and tribalism of Christianity, which I find strange and incredible. While my adventures into Christianity over the last two years introduced me for the first time to Christian wisdom and grace, I still have a deep sense of the richness of other traditions. And when I meet evangelical Christians who believe any other faith is demonic, I think they&#8217;re mental.</p><p>What I have been developing, this year, is something called the Wisdom Approach, which teaches ideas, practices and values from various different wisdom traditions. I think the idea of healing wisdom &#8211; <em>Sophia</em> &#8211; connects all the great wisdom traditions, including atheist ones like Epicureanism and Buddhism. The courses I run try to explore this common ground while also exploring the different destinations they attempt to reach.</p><h4><strong>What&#8217;s wrong with the Perennial Philosophy?</strong></h4><p>This week, I read a book which made some trenchant criticisms of the Perennial Philosophy. The book&#8217;s called <a href="http://www.amazon.co.uk/gp/product/0791451682/ref=as_li_tl?ie=UTF8&amp;camp=1634&amp;creative=19450&amp;creativeASIN=0791451682&amp;linkCode=as2&amp;tag=politicsofwel-21&amp;linkId=T2IWILYCUZTHGREQ">Revisioning Transpersonal Theory: A Participatory Vision of Human Spirituality</a>, by Jorge Ferrer, a professor at the California Institute of Integral Studies.</p><p>Ferrer makes three main criticisms of the Perennial Philosophy approach:</p><h4><strong>1) All religions are not the same</strong></h4><p>The Perennial Philosophy, by being so universalist and essentialist, ends up doing violence to the traditions it tries to cohere. The Tao is not the same as the Christian God (the Tao cares nothing for individuals, as Lao Tzu says), nor are either the same as Buddhist sunyata or emptiness. The eternal now of Buddhism or Stoicism is fundamentally different to Christianity&#8217;s radical hope for the future. The mystics themselves do not agree that all religions are talking about the same ultimate reality.</p><h4><strong>2) Perennialists tend to rank religions hierarchically</strong></h4><p>All religions are equal, but some are more equal than others. Perennialists tend to rank religions, and even sects within religions. Shamanism is the lowest, then monotheisms like Christianity, Judaism and Islam, then mystics within these traditions (Rumi is better than Mohammad, Meister Eckhart is better than Jesus), then Buddhism and Hinduism, and the peak of the mountain is non-dualist philosophies of emptiness like Advaita and Tibetan Buddhism&#8217;s Dzogchen.</p><p>Christianity is usually near or at the bottom &#8211; Sam Harris says it has basically nothing useful to say about the human condition, Aldous Huxley said the Bible was an obstacle to evolution &#8211; and Tibetan Buddhism is at the top. Look at the <a href="http://www.iscs2014.org/">Contemplative Studies conference</a> I&#8217;m going to in Boston this month &#8211; I&#8217;d estimate 90% of the speakers are Western Buddhists, hardly any are Christians, and the key-note speaker is, obviously, the Dalai Lama.</p><p>Perennialists tend to be Western and tend to have rejected their Judeo-Christian background, and therefore rank Christianity low in their wisdom rankings. And of course Christianity, like Islam and Judaism, fits uneasily within a Perennial framework, with their tribal eschatologies and their faith in their unique revelation.</p><h4><strong>3) Perennialism often tends to the tyranny of empiricism and Cartesian reductionism</strong></h4><p>Perennialists like Huxley, Maslow, Wilber or Sam Harris tend to describe the Perennial Philosophy as a &#8216;science of consciousness&#8217;, providing empirical certainty for some of the claims of the mystics. Your mind is the laboratory, in which you can go and check these facts for yourself. This attitude, while understandable in its attempt to validate spiritual experiences within a hostile scientific materialist environment, tends to reduce such experiences to subjective occurrences in the individual brain.</p><h4><strong>Towards a participatory spirituality</strong></h4><p>So what is Ferrer&#8217;s alternative? He suggests that Perennialism often succumbs to an outdated &#8216;mental representation&#8217; model of cognition: Divine Reality exists out there, and we experience it in our minds, like a camera taking a photo. Instead, he suggests a more participatory form of knowing. Our consciousness and imagination helps to create the reality we experience.</p><p>This is a somewhat trippy idea, but I&#8217;ve come across it in the last year through the writings of two interesting religious scholars &#8211; Tanya Luhrmann and <a href="https://emotionsblog.history.qmul.ac.uk/2014/02/jeff-kripal-on-the-mystical-humanities/">Jeffrey Kripal</a>. Both suggest that our relationship with Being is reciprocal; it responds to how we relate to it, manifesting in the attitudes or stories we project, playing with them, making them real. This reminds me a bit of Andrei Tarkovsky&#8217;s idea of Solaris or The Zone &#8211; the magical force that projects our dreams back to us.</p><p>Kripal calls the intermediary between us and Being &#8216;the Imaginal&#8217; &#8211; an idea with its roots in Plato, in Sufism, in the creative transcendentalism of Coleridge and the Inklings (CS Lewis, Tolkien, Barfield), and more explicitly in the psychology of Frederick Myers. Being responds to the stories we project onto it &#8211; this is why Kripal believes the humanities are fundamental to the study of consciousness (here&#8217;s a <a href="https://www.youtube.com/watch?v=r6OXInYdnBQ">video of him</a> talking about the Imaginal at Queen Mary, University of London earlier this year).</p><p>Ferrer&#8217;s &#8216;participatory knowing&#8217; can be both individual or collective &#8211; we bring forth a special manifestation of Being collectively. We open a portal together, as the apostles did at the Pentecost. It&#8217;s not an individual experience so much as an event in which we participate.</p><p>Rather than the &#8216;one mountain many paths&#8217; metaphor, Ferrer suggests &#8216;one ocean many shores&#8217;. The ocean is the starting point, which most great wisdom traditions share &#8211; the belief that we can liberate ourselves from our ego and connect to a more expanded consciousness and reality. However, from that ocean, we can reach many different shores. These will involve different spiritual experiences, and even (Ferrer suggests) different metaphysical realities.</p><p>That metaphor doesn&#8217;t quite work for me, because we tend to think of the ocean as the end-point, not the starting-point. Let me suggest this &#8211; one rocket launch-pad, many different destinations. The rocket launch-pad of spiritual traditions tend to be similar ethical practices to go beyond the ego. However, spiritual astronauts then reach different planets, different space stations, different universes, where perhaps they encounter different beings (or manifestations of Being).</p><p>This seems to be more or less the position that William James reached &#8211; he coined the term &#8216;multiverse&#8217; and suggested a &#8216;<a href="http://www.readbookonline.net/readOnLine/37982/">pluralist mysticism&#8217;</a> in an essay on the 19th-century psychonaut Benjamin Blood, who wrote: &#8220;Variety, not uniformity, is more likely to be the key to progress. The genius of being is whimsical rather than consistent.&#8221; Through spiritual practice we reach &#8216;new worlds&#8217;, new manifestations of Being &#8211; and they may be places that humans have not yet reached. The Spirit is dynamic, ever-changing, playful.</p><p>I wonder if this idea of the multiverse is there in the multiple worlds of science fiction writers like CS Lewis or Philip Pullman, both of whom describe portals through which one can reach other worlds or universes, in which the Spirit will take different forms.</p><p>I wonder even if this is what the Bishop of London meant, when I asked him if one could get to God through other faiths. He <a href="http://www.philosophyforlife.org/the-bishop-of-london-on-christian-contemplation/">replied</a>:</p><blockquote><p><em>&#8220;You can&#8217;t to the God and Father of our Lord Jesus Christ. That&#8217;s not to say there are other ways to different destinations. There is only one Way to God as Jesus Christ has revealed Him, and that way is by feeding on His word and as part of His community and His sacraments. When you come into the presence of God, by this portal &#8211; there are other portals which may take you to different places &#8211; you come through a passage of self-sacrifice and giving oneself away, which paradoxically does not result in obliteration, but in the most extreme ecstasy and joy at the discovery which lies at the end of all this &#8211; that one is fearfully and wonderfully made, one is a unique and beloved child of God.&#8221;</em></p></blockquote><p><em>There are other portals which may take you to different places&#8230;</em></p><p>But here are my questions for Ferrer&#8217;s spiritual pluralism, which perhaps Professor Ferrer can respond to, if he has the time.</p><p>If he believes there are different metaphysical realities, does that mean there are different destinies after death? That a Buddhist experiences reincarnation, while the Christian gets physical resurrection? Does he believe there are multiple eschatologies &#8211; in some realities Christ comes back, in others Valhalla burns, and so on? Are there multiple Gods, or is it rather that Spirit / Being is One but responds differently according to our different approaches? Is there one sort of ethical law or <em>Logos </em>for all the metaphysical realities, or might they have radically different ethical laws??</p><p>While Ferrer hopes spiritual pluralism will allow a more fruitful and respectful dialogue between faiths (and he may well be right), I wonder if Tanya Luhrmann has a point, when she suggests the real conclusion of this view is rather melancholy &#8211; we&#8217;re not just living in different belief-systems, we&#8217;re actually living in different universes.</p><p>But &#8211; more optimistically &#8211; these realities, these universes, aren&#8217;t discrete. They&#8217;re not hermetically sealed off from each other. They interconnect. They overlap. Perhaps in some way they connect together into a grand symphony. This is one reason not everyone in the West should become a Buddhist &#8211; it would be like everyone singing the same part in the symphony. We need some singing bass, some singing alto, and Richard Dawkins on kazoo.</p><p>This article was originally published at: <a href="https://www.philosophyforlife.org/">http://www.philosophyforlife.org</a></p><div><hr></div><h4><strong>Thank you for reading.</strong></h4><h4><strong>Explore the Print and/or Digital Issues of Tarka Journal in our <a href="https://www.tarkajournal.com/store">online shop</a>.</strong></h4><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://www.tarkajournal.com/store" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!ZIxY!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F94a15176-8cef-44b9-8feb-002500378dc3_1362x934.jpeg 424w, 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href="https://substackcdn.com/image/fetch/$s_!3JR-!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fc568c492-ae08-42ce-959a-466eac860f9c_1268x930.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!3JR-!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fc568c492-ae08-42ce-959a-466eac860f9c_1268x930.png 424w, https://substackcdn.com/image/fetch/$s_!3JR-!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fc568c492-ae08-42ce-959a-466eac860f9c_1268x930.png 848w, https://substackcdn.com/image/fetch/$s_!3JR-!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fc568c492-ae08-42ce-959a-466eac860f9c_1268x930.png 1272w, https://substackcdn.com/image/fetch/$s_!3JR-!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fc568c492-ae08-42ce-959a-466eac860f9c_1268x930.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!3JR-!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fc568c492-ae08-42ce-959a-466eac860f9c_1268x930.png" width="1268" height="930" 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srcset="https://substackcdn.com/image/fetch/$s_!3JR-!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fc568c492-ae08-42ce-959a-466eac860f9c_1268x930.png 424w, https://substackcdn.com/image/fetch/$s_!3JR-!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fc568c492-ae08-42ce-959a-466eac860f9c_1268x930.png 848w, https://substackcdn.com/image/fetch/$s_!3JR-!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fc568c492-ae08-42ce-959a-466eac860f9c_1268x930.png 1272w, https://substackcdn.com/image/fetch/$s_!3JR-!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fc568c492-ae08-42ce-959a-466eac860f9c_1268x930.png 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg" class="icon-noB79L"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image buttonBase-GK1x3M"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2 icon-noB79L"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p>Sri Aurobindo (1872-1950) was a modern Indian yogi who founded the form of yoga known as Integral Yoga, a theory and practice of consciousness (yoga <em>darshana</em>) aiming at the evolution of humans into a race of cosmic and transcendental beings, who he termed &#8220;supramental beings.&#8221; Apart from his own practice, he (writing in English) is today recognized as one of the early contributors to the modern academic fields of consciousness studies and transpersonal psychology. In these fields, he is known for introducing neologisms such as psychic being, overmind, and supermind.</p><p>Sri Aurobindo&#8217;s life can be seen in terms of four phases, which succeeded each other with overlaps &#8211; the student-scholar-academic, the nationalist leader, the yogi, and the guru. The first phase can be periodized from 1880 to 1904. It spanned a schooling at St. Paul&#8217;s School, London and King&#8217;s College, Cambridge, studying the Classics while versing himself in modern European literatures and languages. This education prepared him as a modern subject, who had internalized the post-Enlightenment values of social critique and creative freedom. This phase continued in Baroda (1893-1906) where he delved into Sanskrit literature and began learning Indian vernaculars, including his mother tongue, Bengali. Here he also served as a professor of French and the Vice Principal of Baroda College. Though this was the principal period during which Sri Aurobindo pursued scholarship, he kept himself informed of world developments in creative culture throughout his life. He also wrote scholarly treatises on philosophy, psychology, social and political studies, and literature; he was also a poet.</p><div><hr></div><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://read.tarkajournal.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">Tarka is a reader-supported journal of yoga philosophy and contemplative studies. 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   ]]></content:encoded></item><item><title><![CDATA[Tarka Vol. 9, On Power Launch Party]]></title><description><![CDATA[Meet the authors and explore the ideas behind the latest issue of Tarka Journal]]></description><link>https://read.tarkajournal.com/p/tarka-vol-9-on-power-launch-party</link><guid isPermaLink="false">https://read.tarkajournal.com/p/tarka-vol-9-on-power-launch-party</guid><pubDate>Thu, 10 Sep 2026 14:27:44 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!Dkv7!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fd29d8d0b-2749-4b25-ac0d-4581a695180c_1362x934.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" 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class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg" class="icon-noB79L"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image buttonBase-GK1x3M"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2 icon-noB79L"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p>This summer, Embodied Philosophy Publications released <em><a href="https://www.tarkajournal.com/home/on-power">Tarka Journal</a></em><a href="https://www.tarkajournal.com/home/on-power"> Volume 9: </a><em><a href="https://www.tarkajournal.com/home/on-power">On Power</a></em><a href="https://www.tarkajournal.com/home/on-power">.</a> We are delighted to now share the recording of our launch party, where you can meet some of the contributors and hear more about the ideas behind their essays.</p><p>Power is a recurring theme in so much of what we practice and study: in traditions and lineages, institutions, bodies, and relationships. In <em><a href="https://www.tarkajournal.com/home/on-power">On Power</a></em>, new and returning contributors to <em>Tarka</em> turn a contemplative eye toward its many dimensions, ancient and modern.</p><div><hr></div><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://read.tarkajournal.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">Tarka is a reader-supported journal of yoga philosophy and contemplative studies. Subscribe to receive weekly articles and educational resources.</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><div><hr></div><p>For yoga and meditation practitioners, the issue explores power in multiple guises: as ascetic discipline and inner attunement, political and institutional force, the creative potency of the divine feminine, the subtle somatics of <em>ku&#7751;&#7693;alin&#299;</em>, the freedom discovered through devotion, and the quiet authority transmitted through our personal and political lives.</p><p>The launch brings together contributors including <em>Trish Tillman, Jacob Kyle, Christopher Jain Miller, Jensen Martin, Kalpesh Bhatt, Isa Gucciardi, Devora Neumark, Igor Kufayev, Stephanie Corigliano, Bex Naj,</em> and <em>Alba Rodriguez.</em></p><p>You&#8217;ll hear Jacob Kyle introduce the history and mission of <em>Tarka</em>, Stephanie Corigliano reflect on why we chose power as the theme for Volume 9, and contributors share the ideas behind their essays and how power intersects with their own research and practice. Floss Harry guides the conversation before we close with a look ahead at the future of <em>Tarka</em>.</p>
      <p>
          <a href="https://read.tarkajournal.com/p/tarka-vol-9-on-power-launch-party">
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   ]]></content:encoded></item><item><title><![CDATA[Is Academia (Like) a Religion?]]></title><description><![CDATA[By Marcy Braverman Goldstein]]></description><link>https://read.tarkajournal.com/p/is-academia-like-a-religion</link><guid isPermaLink="false">https://read.tarkajournal.com/p/is-academia-like-a-religion</guid><pubDate>Wed, 02 Sep 2026 14:29:03 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!pOaF!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcb6f0606-a95b-4b21-8b68-23a61eff7f48_1200x628.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!pOaF!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcb6f0606-a95b-4b21-8b68-23a61eff7f48_1200x628.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!pOaF!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcb6f0606-a95b-4b21-8b68-23a61eff7f48_1200x628.jpeg 424w, https://substackcdn.com/image/fetch/$s_!pOaF!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcb6f0606-a95b-4b21-8b68-23a61eff7f48_1200x628.jpeg 848w, https://substackcdn.com/image/fetch/$s_!pOaF!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcb6f0606-a95b-4b21-8b68-23a61eff7f48_1200x628.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!pOaF!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcb6f0606-a95b-4b21-8b68-23a61eff7f48_1200x628.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!pOaF!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcb6f0606-a95b-4b21-8b68-23a61eff7f48_1200x628.jpeg" width="1200" height="628" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/cb6f0606-a95b-4b21-8b68-23a61eff7f48_1200x628.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:628,&quot;width&quot;:1200,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:28023,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:&quot;https://read.tarkajournal.com/i/213866889?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcb6f0606-a95b-4b21-8b68-23a61eff7f48_1200x628.jpeg&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!pOaF!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcb6f0606-a95b-4b21-8b68-23a61eff7f48_1200x628.jpeg 424w, https://substackcdn.com/image/fetch/$s_!pOaF!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcb6f0606-a95b-4b21-8b68-23a61eff7f48_1200x628.jpeg 848w, https://substackcdn.com/image/fetch/$s_!pOaF!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcb6f0606-a95b-4b21-8b68-23a61eff7f48_1200x628.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!pOaF!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcb6f0606-a95b-4b21-8b68-23a61eff7f48_1200x628.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg" class="icon-noB79L"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image buttonBase-GK1x3M"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2 icon-noB79L"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><h2><strong>Introduction</strong></h2><p>Scholars are practitioners of academia. Many people, initially in the West and eventually globally, have had a millennium to imagine the knowledge and research that are data for academia, which is solely the creation of scholars&#8217; studies. It is created for scholars&#8217; analytic purposes by their imaginative acts of comparison and generalization, and transmitted through teacher-student lineages by people who value the pursuit of truth(s). Specialized research produces an evolution of knowledge that impacts and is impacted by society. For this reason, practitioners, i.e. academics, must be relentlessly self-conscious. Indeed, this self-consciousness should constitute their primary expertise, their foremost object of study.</p><p>But scholars <em>in</em> academia can be in it unselfconsciously and therefore not fully see their practice as it is. So I would like to propose a flip: rigorously interrogate academia to provoke students and faculty alike to contend with the complexity, the ambiguity, and the unwontedness in what we have come to accept as clear and self-evident. The recognition of the strange and enigmatic in things we supposedly know best &#8211; nature, our culture, our language, or especially ourselves &#8211; induces us to scrutinize them freshly, revise our thinking about them, and reconstruct our knowledge of them for ourselves. Without probing what is native and familiar to us &#8211; to see why and how it works as it does &#8211; we have difficulty devising the fruitful analogies and suggestive metaphors that disclose the familiar in the foreign. . . . On this model, education . . . is a process of estrangement and appropriation.</p><div><hr></div><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://read.tarkajournal.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">Tarka is a reader-supported journal of yoga philosophy and contemplative studies. Subscribe to receive weekly articles and educational resources.</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><div><hr></div><p>Many scholars do not critically reflect on their subjectivity. As insiders to academic practice, they do not fully recognize the &#8220;strange and enigmatic&#8221; of what they supposedly know best. This exploration blurs boundaries between &#8220;scholar~practitioner&#8221; and &#8220;objective~subjective,&#8221; thereby shifting knowledge about academia in new, creative ways.</p><p>As part of this flip, I&#8217;ll ask a few questions: is academia (like) a religion? Does it have religious qualities? Are practitioners religious even if they don&#8217;t recognize themselves in that way? But first, what is religion? Renowned definitions of this familiar category have been offered by theologians, philosophers, psychologists, historians, sociologists, anthropologists, and political theorists:</p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!LLA0!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F97fbac65-c05d-432e-8135-9cf08249499c_722x962.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!LLA0!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F97fbac65-c05d-432e-8135-9cf08249499c_722x962.jpeg 424w, https://substackcdn.com/image/fetch/$s_!LLA0!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F97fbac65-c05d-432e-8135-9cf08249499c_722x962.jpeg 848w, https://substackcdn.com/image/fetch/$s_!LLA0!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F97fbac65-c05d-432e-8135-9cf08249499c_722x962.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!LLA0!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F97fbac65-c05d-432e-8135-9cf08249499c_722x962.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!LLA0!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F97fbac65-c05d-432e-8135-9cf08249499c_722x962.jpeg" width="722" height="962" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/97fbac65-c05d-432e-8135-9cf08249499c_722x962.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:962,&quot;width&quot;:722,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:null,&quot;alt&quot;:&quot;&quot;,&quot;title&quot;:null,&quot;type&quot;:null,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" title="" srcset="https://substackcdn.com/image/fetch/$s_!LLA0!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F97fbac65-c05d-432e-8135-9cf08249499c_722x962.jpeg 424w, https://substackcdn.com/image/fetch/$s_!LLA0!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F97fbac65-c05d-432e-8135-9cf08249499c_722x962.jpeg 848w, https://substackcdn.com/image/fetch/$s_!LLA0!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F97fbac65-c05d-432e-8135-9cf08249499c_722x962.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!LLA0!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F97fbac65-c05d-432e-8135-9cf08249499c_722x962.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg" class="icon-noB79L"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image buttonBase-GK1x3M"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2 icon-noB79L"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p>These definitions collectively show that people identify religion very differently. The lack of consensus can be challenging, whereas the classification approach proposed by Ninian Smart, a founding father of the field of Religious Studies, provides an alternative way to locate &#8220;religion&#8221; that works well to organize this discussion. He proposed seven dimensions that broaden the category to include a range of worldviews not typically labelled as &#8220;religion.&#8221; For example, the Grateful Dead, Carolina Panthers, Bernie-ism, and Trumpism could make the cut. The dimensions including the following:</p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!zk3j!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffaa49c09-0f8f-467d-beb3-d400e71bec6e_778x1024.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!zk3j!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffaa49c09-0f8f-467d-beb3-d400e71bec6e_778x1024.jpeg 424w, https://substackcdn.com/image/fetch/$s_!zk3j!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffaa49c09-0f8f-467d-beb3-d400e71bec6e_778x1024.jpeg 848w, https://substackcdn.com/image/fetch/$s_!zk3j!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffaa49c09-0f8f-467d-beb3-d400e71bec6e_778x1024.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!zk3j!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffaa49c09-0f8f-467d-beb3-d400e71bec6e_778x1024.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!zk3j!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffaa49c09-0f8f-467d-beb3-d400e71bec6e_778x1024.jpeg" width="778" height="1024" 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https://substackcdn.com/image/fetch/$s_!zk3j!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffaa49c09-0f8f-467d-beb3-d400e71bec6e_778x1024.jpeg 848w, https://substackcdn.com/image/fetch/$s_!zk3j!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffaa49c09-0f8f-467d-beb3-d400e71bec6e_778x1024.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!zk3j!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffaa49c09-0f8f-467d-beb3-d400e71bec6e_778x1024.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" 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15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p><strong>Ritual and Practical</strong>: <em>public and private practices and patterns of behavior such as worship, meditation, conversion, initiation, pilgrimage, singing, feasting and fasting</em></p><p><strong>Ethical and Legal:</strong> <em>revealed and authored rules, laws, precepts about human behavior such as those that regulate the lives of lay people, monastic communities, and society</em></p><p><strong>Mythic and Narrative</strong>: <em>sacred stories and histories, revealed and authored, written and oral traditions, true literally or symbolically, such as cosmogonies, hagiographies, tales of tales of gods, people, saints and demons.</em></p><p><strong>Doctrinal and Philosophical:</strong> <em>systematic and intellectual formulations such as statements of belief and faith, analyses of God&#8217;s nature, notions of grace</em></p><p><strong>Social and Institutional: </strong><em>community participation and membership, hierarchical and nonhierarchical, people together and in isolation, locally and globally, denominations, study groups, monasteries, state religions, diasporas</em></p><p><strong>Experiential and Emotional:</strong> <em>emotionally charged experiences that generate feelings such as ecstasy, love, inner peace, dread, awe; a state of awareness.</em></p><p><strong>Material:</strong> <em>sacred objects and spaces; nature, such as land, rivers, mountains; culture, such as buildings, scriptures, sculptures, paintings, jewellery, clothing, foods, body art</em></p><h3><strong>Ritual and Practical Dimension</strong></h3><p><strong>Ritual and Practical:</strong> <em>public and private practices and patterns of behavior such as worship, meditation, conversion, initiation, pilgrimage, singing, feasting and fasting</em></p><p>Rituals stabilize social institutions, maintain group ethos, express and resolve social tension, distinguish sacred and profane, preserve social solidarity, and/or create a link between past and present.</p><p>Academia is rich in ritual. This isn&#8217;t surprising because historically it grew out of the Church. When universities emerged in the Middle Ages, Pope Gregory IX described them as &#8220;wisdom&#8217;s special workshop.&#8221; &#8220;The correlation to religion isn&#8217;t just symbolic. The historicity of higher education is nested with the rituals of religion.&#8221; Both the Church and academia are conservative institutions built on ritual, hierarchy, and authority.</p><p>Stabilizing rituals bind academics together through the generations. Following a successful admissions process, graduate students listen attentively to lectures (some sermon-like) given by professors, intellectual giants who are sometimes regarded as leaders or celebrities. After finishing a Master&#8217;s degree, people take Ph.D. qualifying exams. Upon passing, they become Ph.D. candidates, a.k.a. ABD (All But Dissertation). Doctoral candidates attend their dissertation defense where supportive and/or unsupportive committee members ask tough questions. Completing that trial, they gather autographs for the signature page. Throughout this time, pilgrimages to conferences reinforce community and support seekers who exchange academic ideas. Gaining funding is another part of the process. One person said, &#8220;I use the metaphor of canonization for people who get large grants &#8211; it elevates them above the rest of their colleagues and is a mark of distinction that functions as an almost divine approval of their qualities as researchers.&#8221; Hierarchy manifests more directly in healthy and dysfunctional advisor-advisee relationships. Former Professor Karen Kelsky explained, &#8220;Intense hierarchy characterizes every single academic field regardless of whether the guy is a Marxist or not, or whatever radical bullsh*t he is claiming about himself. The fact is, he holds almost absolute power over his advisees.&#8221; &#8220;No one says it aloud, but every graduate student knows: This is the price you pay for a chance to enter the sanctum of the tenure track: Follow the leader, or prepare to teach high school.&#8221; For graduates, the commencement ceremony is pomp and circumstance with classical music, medieval attire, stirring speeches, and announcements of names and dissertation titles of degree recipients who are hooded by senior scholars. Ph.D. = Doctor of Philosophy.</p><p>Academia is replete with formal and informal rituals that mark people&#8217;s rise through ranks that confer increased authority. Pressure to &#8220;publish or perish&#8221; is acute for non-tenured professors. After being awarded tenure, people advance from assistant to associate to full professor, and to an endowed chair. Becoming department head, dean, provost, chancellor, or president are other esteemed positions. Retiring as emeritus professor is the final stage. Throughout their careers, some people look to mentors as venerable sages, occasionally elevating them to savior status (except if they acted like angry gods during the training-as-initiation process). Teachers&#8217; legacies create links between past and present through course content, research interests, and mentoring styles. Entering academia is an extended, transformative journey that involves sacrifice of time, money, romance, job security, and/or sanity. One person said, &#8220;academia requires vows of obedience, poverty, and celibacy.&#8221; Professors whose ethics stress equity and justice ironically spend their careers jockeying for position in this exclusive, hierarchical environment.</p><p>Not everyone in academia stays. Some people go through the harrowing experience of disaffiliation, by force or by choice. During tenure review, a candidate&#8217;s research is assessed by colleagues who might determine that the work is subpar. The assistant professor is denied tenure, which is like being relegated to the status of an impure outcaste, cut off from one&#8217;s lineage. Excommunication. Others choose to leave, possibly to start a business, join another sector, or raise children. Extricating oneself is a major life overhaul and identity shift.An ex-academic explains this process that mirrors anthropologist Victor Turner&#8217;s analysis of rites of passage that have three stages: separation, liminality, and aggregation.</p><p>For academics considering the world beyond higher education, the situation is akin to looking at a black hole. . . . [This makes] leaving academia awesome in the word&#8217;s original sense: enormous and terrifying. Many people consequently try to keep its event horizon in the distance &#8211; preferring the familiarity of the world they know to the risk and uncertainty of being drawn into a different career. I&#8217;ve written this book after safely crossing over that metaphorical limit. I was, in fact, transformed by the process.</p><p>Ex- or post-academic insiders become new people deployed in the outside world.</p><h3><strong>Ethical and Legal</strong></h3><p><strong>Ethical and Legal:</strong> <em>revealed and authored rules, laws, precepts about human behavior such as those that regulate the lives of lay people, monastic communities, and society</em></p><p>University ethics focus on inclusion because everyone deserves an education that fosters growth and freedom. Social justice is a commitment to &#8220;challenging social, cultural, and economic inequalities imposed on individuals arising from any differential distribution of power, resources, and privilege.&#8221; Dedication to economic, political, and social equality is expressed through programming, majors, conferences, and certifications. The quest to support each person considers intersectionality, the interdependent identities stemming from race, class, and gender differences that create systems of discrimination and disadvantage. There&#8217;s awareness about microaggression, an &#8220;everyday exchange that cues a sense of subordination based on any one of a number of social identities, including: race, gender, sexual orientation, socioeconomic background, nationality, religion, and disability.&#8221; Signage affirms these ethics: &#8220;DIVERSE, INCLUSIVE, ACCEPTING, WELCOMING, SAFE SPACE FOR EVERYONE.&#8221;</p><p>Yet unsafe spaces exist. For instance, sexual harassment is highlighted by #metoophd, #metoofieldwork, and #metooSTEM hashtags. &#8220;The sexual predator is merely disguised as a professor,&#8221; according to one woman. The website, <em>Academia is Tied in Knots</em>, is dedicated to &#8220;visualizing testimonies of sexual harassment in the academy.&#8221; In 2018 at New York University, a male student accused his internationally known female professor of sexual harassment, assault, and stalking. After a Title IX investigation found her responsible for harassment, she was suspended. &#8220;Less shocking still was the smear campaign that many of her celebrated colleagues launched against her accuser &#8230; which resembles the silencing tactics deployed by the Church of Scientology and other cults. These scholars fail embarrassingly to embrace the radical theories on which their careers and reputations rest.&#8221; Even when cases are proven by Title IX investigations, offenders sometimes go unpunished. For instance, a University of California, Santa Barbara professor continued teaching until his retirement despite substantiated claims of sexual harassment that he explained as &#8220;cultural misunderstanding.&#8221;</p><p>Economic disparity also compromises inclusion. In the gig academy, about 75% of faculty are graduate students and adjuncts who earn near poverty level wages. The University of California at Berkeley Labor Center reported that &#8220;a quarter of part-time faculty members are on public assistance, further foreclosing their options and avenues of escape.&#8221; The cheap workforce is employed on a part-time, temporary, and/or contingent basis without benefits or job security. &#8220;But many of these people persist as adjuncts because they have been trained to believe that this is the only thing they should do with a doctorate.&#8221; This inequity is especially pronounced during the Covid-19 pandemic: cancelled classes means cancelled paychecks. One instructor said, &#8220;In addition to no job security, adjuncts are hardly ever (or maybe never) eligible for unemployment due to the way our contracts are written. We fall through the cracks in every possible way.&#8221; Another explains, &#8220;It&#8217;s depressing and scary. No idea what winter semester will bring. It&#8217;s all contingent on enrollment numbers.&#8221; An article in <em>The Chronicle of Higher Education</em> described professor burnout, but a reader retorted that it&#8217;s &#8220;moral injury.&#8221; Systemic economic disparity ironically persists at institutions where many leaders support dismantling society&#8217;s hierarchies that perpetuate privilege and exclusion. <em>The Adjunct Underclass: How America&#8217;s Colleges Betrayed Their Faculty, Their Students, and Their Mission</em> addresses this issue that plagues academia.</p><p>Another problem is academic fraud. For example, professors who sought to expose what they see as the absurdity of &#8220;grievance studies&#8221; submitted hoax research to prominent journals. One paper explained that white males in college shouldn&#8217;t speak in class and should be asked to sit on the floor in chains. Another paper suggested that men should be trained like dogs to prevent rape culture. Both articles were accepted for publication, and the latter was recognized as exemplary scholarship. This unethical experiment revealed yet another problem: &#8220;research&#8221; about silencing, chaining, and training humans like dogs was approved by prestigious journals, which defies academia&#8217;s purported mission to nurture everyone&#8217;s growth and freedom.</p><p>Another fraud is people who lie about their race. An associate professor of history at George Washington University whose work focuses on Africa and the African diaspora resigned when her real identity was exposed. She blogged about having &#8220;assumed identities within a Blackness that I had no right to claim: first North African Blackness, then US rooted Blackness, then Caribbean rooted Bronx Blackness.&#8221; Soon after that incident, an assistant professor of African American history at Furman University resigned because she was caught faking a Mexican heritage. As scholars wonder who among them is not who they say they are, they must ask: what drives academics to commit this kind of criminal deception?</p><p>Another ethical dilemma at universities is unchecked anti-Semitism that is at an all time high. The FBI&#8217;s Hate Crime Statistics Act report data showed that most religion-based hate crimes target Jews or Jewish institutions. Recent examples on campuses include arson at the University of Delaware Jewish Center. At Columbia University a Jewish professor&#8217;s office was vandalized with a swastika and other slurs spray-painted on the wall. After enduring Jew hatred from peers, the Jewish vice president of the student government at the University of South California resigned from her position. The sign at University of Kentucky&#8217;s Jewish Student Center has been vandalized four times, and the center&#8217;s leader receives phone threats. These incidents occur at alarming rates that compromise academia&#8217;s vaunted ethics of inclusion.</p><p>To what extent do scholars scrutinize and critically self-reflect on these wide-ranging &#8220;strange and enigmatic&#8221; ethical dilemmas in &#8220;native and familiar&#8221; academic spaces that they supposedly know best?</p><h3><strong>Mythic and Narrative</strong></h3><p><strong>Mythic and Narrative:</strong> <em>sacred stories and histories, revealed and authored, written and oral, true literally or symbolically, such as cosmogonies, hagiographies, tales of gods, people, saints, and demons.</em></p><p>Academia is a calling of mythic proportion, passed down from generation to generation through written and oral testimonies. In the Ivory Tower surrounded by gardens where people eat fruits from trees of knowledge, scholars are set apart literally or metaphorically from the profane world. Truths are pursued, minds are opened, and hearts are awakened. Many seekers are activists who strive to resolve people&#8217;s suffering and fix institutional brokenness. The quest for knowledge, growth, and freedom is nurtured by liberal education (&#8220;liberal&#8221; is from the Latin <em>liber</em> &#8220;free,&#8221; the Greek <em>eleutheros</em> &#8220;free,&#8221; and the Sanskrit <em>rodhati</em> &#8220;one grows&#8221;). As authors, academics touch immortality through their publications that endure forever.</p><p>But to what extent is this utopian vision realized? Is it a myth sustaining people&#8217;s hope that a more just future will come to fruition? Scholar-practitioners achieve historical insights and scientific advancements. But idyllic academia is replete with privilege, exclusion, and systemic &#8220;isms&#8221; such as classism, racism, sexism, and educationism (discrimination against less educated people). For instance, meritocracy is the academic dream that people can progress based on their abilities rather than their wealth and other lucky accidents of birth. But it is a &#8220;false ideology that has torn society asunder and created a caste hierarchy that simultaneously excludes most people and damages the few that it admits. . . . . Meritocracy, which was initially envisioned as a means to collapse social barriers, thus engenders an impenetrable aristocracy.&#8221; High and rising tuition rates that outpace inflation prevent many people from entering the Ivory Tower.</p><p>Classism also shows up as exploitation of adjunct instructors. Some impoverished workers reassess their calling to academia and courageously leave dystopia. &#8220;The situation is akin to a breakup. . . . . Recognizing that your love will go unrequited is going to hurt.&#8221; After walking away, some people use their hard won knowledge to reflect on academic saints and sinners. For example, a man who turned down a tenure track job wrote a book about that experience. A tenured professor became a Ph.D. entrepreneur by starting a business, <em>The Professor Is In</em>, to guide academics through graduate school, the job market, and the tenure process. Ex-insiders offer informative perspectives about academia&#8217;s promise of growth and freedom.</p><h3><strong>Doctrinal and Philosophical</strong></h3><p><strong>Doctrinal and Philosophical:</strong> <em>systematic and intellectual formulations such as statements of belief and faith, analyses of God&#8217;s nature, notions of grace</em></p><p>If there&#8217;s one doctrinal underpinning that applies across academia&#8217;s disciplines, it would be postmodernism and related schools of thought such as deconstruction and poststructuralism. Rejecting a grand narrative, these modes of discourse espouse that truths are socially constructed and framed by personal histories based on racial, religious, economic, cultural, sexual, political and other variables. The standpoint of an observer is determinative. Morality is relative. These intellectual formulations reject epistemic certainty, stability of meaning, and objective Truth, and welcome epistemic uncertainty, instability of meaning, and relative truths. Developed in the mid- to late 20th c., postmodernism influences disciplines including philosophy, history, literature, political science, and feminist theory.</p><p>Academics regard founders of postmodernism as sages whose revealed scriptures are gospel. Canonized saints include Jean-Francois Lyotard, Jacques Derrida, Judith Butler, Michel Foucault, Avital Ronell, Jacques Lacan and postcolonial studies critics such as Edward Said, Homi Bhabha, Frantz Fanon, and Gayatri Chakravorty Spivak.</p><p>Postmodernism explains that there is no Absolute Truth except the truth of postmodernist theory. While this doctrine ironically undercuts itself, few scholars ask provocative, self-reflective questions: Are all truths debatable? Is dissent tolerated? Are we in an echo chamber that has become an anti-intellectual enclave? Can becoming an academic be like a conversion experience whereby particular doctrines (re)shape a person&#8217;s mind? Are we indoctrinated insiders encoded by popular revelations? Is the student body evangelized by professors whose mission is to awaken young people to choice truths? Are unsuspecting neophytes and intellectual groupies initiated into a dominant groupthink narrative?</p><p>Instances of dogma creating an intolerant climate in and beyond academia have become common enough that professors and prominent intellectuals such as Gloria Steinem, Cornel West, Steven Pinker, and Salman Rushdie signed &#8220;A Letter on Justice and Open Debate.&#8221; This letter warns about a &#8220;new set of moral attitudes and political commitments that tend to weaken our norms of open debate and toleration of differences in favor of ideological conformity.&#8221; Several incidents that received national attention reveal intolerance among those who theoretically embrace relative truths shaped by people&#8217;s socially constructed vantage points. A glaring example is when Professor, Bret Weinstein, declined to participate in an Evergreen State College Day of Absence. In past years, minority students and faculty had avoided campus to highlight their contributions to the college. In 2017 white people were asked to stay away from campus. Weinstein&#8217;s email to an Evergreen email list explained the dangerous precedent set by this proposal: &#8220;There is a huge difference between a group or coalition deciding to voluntarily absent themselves from a shared space in order to highlight their vital and underappreciated roles. . . and a group encouraging another group to go away. The first is a forceful call to consciousness, which is, of course, crippling to the logic of oppression. The second is a show of force, and an act of oppression in and of itself.&#8221; Weinstein held his biology class at a park. Students protested, and a riot broke out. The administration did not ask campus police to deescalate the uproarious crowd, and the professor was warned that his safety could not be guaranteed. Due to this incident, he resigned. He wrote &#8220;The Campus Mob Came for Me &#8211; and You, Professor, Could Be Next&#8221; and has spoken extensively about the intolerant climate where his perspective on a complex issue was not only excluded, but violently rejected. Weinstein&#8217;s wife, also a biology professor, resigned and explained what&#8217;s at stake: &#8220;Those without tenure are at risk of blowback for politically incorrect actions or views. . . . If you do not come together in real life with people with whom you disagree, you guarantee finding yourself in a silo, out of which you can not see. . . . Let us be willing to disagree with respect.&#8221; Question: Do scholar-practitioners who champion the doctrine of relative truths create space to debate the distinction between liberating calls to consciousness and oppressive shows of force? Should unpopular dissenters be humiliated, threatened, and silenced?</p><p>A 2017 incident at Middlebury College tested the boundary of free speech and became &#8220;the saddest day of my life,&#8221; according to Professor Allison Stanger. She was scheduled to moderate a Q&amp;A session with Charles Murray, co-author of <em>The Bell Curve</em>. Students who think that Murray is racist protested his presence on campus. They shouted him down, yelled obscenities, and surrounded him. Stanger, who does not agree with many of Murray&#8217;s political stances, supported the event for the sake of liberal exchange of ideas and productive debate. She wrote, &#8220;What transpired instead felt like a scene from Homeland rather than an evening at an institution of higher learning.&#8221; Question: To what extent do scholar-practitioners who champion the doctrine of relative truths encourage students to debate viewpoints? Which truth claims, if any, should be forbidden?</p><p>Another incident occurred in 2020 at Michigan State University as physicist Stephen Hsu, Vice President of Research and Innovation, was researching deadly force and how to improve policing. Hsu shared findings from a study that found no widespread racial bias in police shootings. These data showed different conclusions than what is commonly reported about this challenging topic. After Hsu quoted the research, he was forced out of his administrative position. He wrote in a blog post, &#8220;This started as a twitter mob attack, with very serious claims: that I am a Racist, Sexist, Eugenicist.&#8221; Question: Are scholar-practitioners who champion the doctrine of relative truths ironically compromising this ideological value by rejecting inconvenient information instead of scrutinizing (mis/dis)information to possibly revise their thinking? Should bearers of uncomfortable research findings be silenced or lose their jobs, i.e. should the messenger be shot?</p><p>It is imperative that scholar-practitioners self-interrogate to determine the extent to which the Ivory Tower is a bastion of liberalism, free speech, and inclusion or illiberalism, silencing, and cancel culture. While some (untenured) concerned, closeted thinkers hesitate to engage this complex issue publically, other people address this open secret. Professor Ramdas Lamb calls out the problem that he sees: &#8220;We have to overturn the academic tables that support the ideological insanity currently masquerading as liberal education.&#8221; How can professors teach critical thinking if unpopular viewpoints are verboten? A book about campus trends suggests &#8220;something unprecedented and frightening. . . . The consequences of a generation unable or disinclined to engage with ideas that make them uncomfortable are dire for society, and open the door &#8211; accessible from both the left and the right &#8211; to various forms of authoritarianism.&#8221; What&#8217;s at stake is foundational. Lamb said, &#8220;We live in fundamentalist institutions.&#8221; Has &#8220;academia killed its own muse&#8221;?</p><p>Heterodox Academy was founded by academics who see a lack of viewpoint diversity on campus. With the tagline, &#8220;great minds don&#8217;t always think alike,&#8221; its vision is the following: &#8220;We aspire to create college classrooms and campuses that welcome diverse people with diverse viewpoints and that equip learners with the habits of heart and mind to engage that diversity in open inquiry and constructive disagreement.&#8221; Robert George, legal scholar, political philosopher, and Heterodox Academy Advisory Council member, said that &#8220;no organization in the history of American academic life has done, or is doing, more to promote the basic freedoms of viewpoint diversity we urgently need in our colleges and universities today.&#8221;</p><h3><strong>Social and Institutional</strong></h3><p><strong>Social and Institutional:</strong> <em>community participation and membership, hierarchical and nonhierarchical, people together and in isolation, locally and globally, denominations, study groups, monasteries, state religions, diasporas</em></p><p>Academia is an amorphous community of scholars who work at institutions around the world. Smaller groups form through departments, fields and subfields, committees, teacher-student lineages, annual conferences attendees, discussion panels, editorial boards, and more. To reinforce connections and enjoy academic culture, people gather in person, through listservs, and on social media.</p><p>The Ivory Tower&#8217;s tiered tenure system is structured around membership. A tenure-track job offer is a momentous initiation. Teaching and writing for about seven years might culminate in being awarded tenure, a rite of passage that guarantees job security. After working for the next several years, professors take a sabbatical (related to &#8220;sabbath,&#8221; day of rest), just like every seven years Jews historically took a year-long break from toiling in the fields. Academics, however, use that &#8220;break&#8221; to research and publish. Becoming a full professor is the coveted entry into academia&#8217;s inner sanctum.</p><p>In the diaspora of academics who take jobs in faraway places, who&#8217;s in and who&#8217;s out is also expressed online. For example, <em>Inside Higher Ed</em> invites people to &#8220;become an insider&#8221; by clicking a button that leads to the membership program. The website, &#8220;Rate My Professors,&#8221; lists debatably accurate evaluations and was countered by &#8220;Rate Your Students.&#8221; Hashtags include #phdlife and #phdjokes. Social media groups support intellectual exchange, casual conversations, and Q&amp;A. On Facebook &#8220;The Professor Is In&#8221; has 117K followers who comment on informative and sometimes snarky posts. &#8220;PhD Comics: Piled Higher and Deeper&#8221; has 423K followers. The 678K followers on &#8220;Shit Academics Say&#8221; laugh at inside jokes and vent about issues that make the most sense to people in the university&#8217;s orbit:</p><p>Unfortunately, I have to reschedule the exam, and I will have to cancel class on Thursday. Against my best wishes, I have been shot and am in the ER. I also have Covid, and the divorce is getting messy. Office hours are still 11-12 M/W, with your TA. If I am alive, the exam will be moved to Monday.<br><br>I had to teach my Introduction to Psychology class today to 300+ students from my cell phone while I was trapped in my apartment building elevator with my two young kids. This has to go down as my most surreal and stressful teaching experience.<br><br>Holding a journal reveal party for my manuscript.<br><br>That Sunday feeling when guilt over not writing and anxiety over next week is punctuated only by the realization that time is a construct but Netflix is real.</p><h3><strong>Experiential and Emotional</strong></h3><p><strong>Experiential and Emotional:</strong> <em>emotionally charged experiences that generate feelings such as ecstasy, love, inner peace, dread, awe; a state of awareness.</em></p><p>People go into academia not for the money but for the joy of learning, producing knowledge, and &#8220;eureka!&#8221; moments. Scholar-practitioners work in labs, translate languages, interpret data and texts, and conduct fieldwork. They participate in intellectually riveting seminars held in buildings that may architecturally resemble medieval monasteries. And they study alone in vast libraries with vaulted ceilings. Mindblowing experiences and transformations occur when people are nurtured by liberal education.</p><p>Yet the Ivory Tower doesn&#8217;t always deliver the dream. The slogan &#8220;no justice, no peace; know justice, know peace&#8221; pertains as some people experience dread and alienation. For example, a black woman who works at the Fletcher School of Law and Diplomacy at Tufts University explains why she doesn&#8217;t feel fully welcome by her academic colleagues.</p><p>The school boasts about its depth of diversity, yet members of its faculty have asked me which faculty I provide administrative support for. Some continue to refer to me by the name of another black woman who completed her PhD at the school two years ago. . . . It&#8217;s not being mistaken for a member of the support staff that troubles me, but what that mistake means. Whether they mean to or not, my fellow academics are betraying a toxic assumption: Even as I move about a university with a messenger bag over my shoulder and a stack of books in my arms, they refuse to see me as a member of the professional and intellectual community I&#8217;ve worked to join.</p><h3><strong>Material</strong></h3><p><strong>Material:</strong> <em>sacred objects and spaces; nature such as land, rivers, mountains; culture such as buildings, scriptures, sculptures, paintings, jewellery, clothing, foods, body art</em></p><p>Books, e-books, articles, journals, manuscripts, lab equipment, specimens.</p><p>Libraries as sanctuaries, some classically designed to look like cathedrals.</p><p>College campuses, quads, buildings, classrooms, student unions, dormitories.</p><p>Offices decorated with diplomas, awards, honors, fieldwork souvenirs, piles of books.</p><p>University ID cards, photographs, websites, social media accounts.</p><p>Computers, phones, audio and video equipment.</p><p>Academic regalia including cap, gown, tassel, hood.</p><p>University logo on clothing, hats, pens, mugs, bumper stickers, face masks.</p><h3><strong>Conclusion</strong></h3><p>Is academia (like) a religion? Cult? Wisdom&#8217;s special workshop? Secular religion? What is the right category for this enclave of intellectual expression? I asked hundreds of professors these questions. People responded enthusiastically: &#8220;Of course it&#8217;s a religion. It has a priesthood, occult and esoteric rules, and separate ethics.&#8221; &#8220;As a graduate student, it was my religion. The library was my church. Research was my ritual.&#8221; &#8220;Religion, not sure. Cult, definitely.&#8221; During a podcast interview, Professor Gary Laderman explained: &#8220;My religion is learning and knowledge and trying to intellectually absorb as much as I can. . . . I joked, but I&#8217;m also being serious. Learning is where I get my religious meaning.&#8221; These responses reflect a broad definition of &#8220;religion&#8221; and show that what people do culturally can be comparable to religion even when it is not labeled as such. &#8220;Everything is full of gods,&#8221; as Thales remarked. Academia&#8217;s lived expressions clearly exhibit the seven dimensions. However, if &#8220;religion&#8221; is so broad, it loses specificity. When too much is religion, nothing is religion. So, is academia (like) a religion? It&#8217;s a good debate topic.</p><p>What <em>is </em>indisputable is that relentlessly interrogating academia reveals more than what&#8217;s in its unexamined self-description. The process of estrangement allows scholar-practitioners to revise their thinking and see that the academic quest for truths does not stem from dispassionate objectivity exempt from particular commitments. Scholars are practitioners, insiders who should self-consciously reflect on their academic practice and thereby discover the &#8220;strange and enigmatic&#8221; within this familiar category. Recognizing the blurry spaces between &#8220;scholar~practitioner&#8221; and &#8220;outsider~insider&#8221; serves everyone who seeks growth and freedom for themselves and others.</p><p><strong>Final point</strong>: I finished writing this article during the American purgatory between our presidential election that ended six weeks ago and legal confirmation of a winner by the Senate. As this article goes to press, a dreadfully dire societal communication breakdown is unfolding in America. True to the foundation of liberal education, academic practitioners should model civility by encouraging active engagement through productive debate. We should energetically seek &#8220;dialogue and encounter, give and take, criticism and self-criticism&#8221; between people whose viewpoints diverge. Hopefully everyone can co-exist with empathy, liberty, and justice for all.</p><div><hr></div><h4><strong>Thank you for reading this article.</strong></h4><h4><strong>Explore the Print and/or Digital Issues of </strong><em><strong>Tarka Journal</strong></em><strong> in our <a href="https://www.tarkajournal.com/store">online shop</a>.</strong></h4><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://www.tarkajournal.com/store" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!ZIxY!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F94a15176-8cef-44b9-8feb-002500378dc3_1362x934.jpeg 424w, 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15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><div><hr></div><p></p>]]></content:encoded></item><item><title><![CDATA[Representing Power]]></title><description><![CDATA[Devi in Indian Miniature Painting from Punjab Hills]]></description><link>https://read.tarkajournal.com/p/representing-power</link><guid isPermaLink="false">https://read.tarkajournal.com/p/representing-power</guid><dc:creator><![CDATA[Tarka Journal]]></dc:creator><pubDate>Tue, 18 Aug 2026 17:00:59 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!n4fn!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9074f5cb-1979-4b8d-a743-a7e3e7467d6e_1362x934.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!n4fn!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9074f5cb-1979-4b8d-a743-a7e3e7467d6e_1362x934.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!n4fn!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9074f5cb-1979-4b8d-a743-a7e3e7467d6e_1362x934.jpeg 424w, https://substackcdn.com/image/fetch/$s_!n4fn!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9074f5cb-1979-4b8d-a743-a7e3e7467d6e_1362x934.jpeg 848w, https://substackcdn.com/image/fetch/$s_!n4fn!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9074f5cb-1979-4b8d-a743-a7e3e7467d6e_1362x934.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!n4fn!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9074f5cb-1979-4b8d-a743-a7e3e7467d6e_1362x934.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!n4fn!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9074f5cb-1979-4b8d-a743-a7e3e7467d6e_1362x934.jpeg" width="1362" height="934" 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srcset="https://substackcdn.com/image/fetch/$s_!n4fn!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9074f5cb-1979-4b8d-a743-a7e3e7467d6e_1362x934.jpeg 424w, https://substackcdn.com/image/fetch/$s_!n4fn!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9074f5cb-1979-4b8d-a743-a7e3e7467d6e_1362x934.jpeg 848w, https://substackcdn.com/image/fetch/$s_!n4fn!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9074f5cb-1979-4b8d-a743-a7e3e7467d6e_1362x934.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!n4fn!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9074f5cb-1979-4b8d-a743-a7e3e7467d6e_1362x934.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg" class="icon-noB79L"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image buttonBase-GK1x3M"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2 icon-noB79L"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><h4>From <a href="https://www.tarkajournal.com/store/p/on-power-print">Tarka Vol. 9: </a><em><a href="https://www.tarkajournal.com/store/p/on-power-print">On Power</a></em><a href="https://www.tarkajournal.com/store/p/on-power-print">,</a> by Vinod Bhatia</h4><p><strong>Antecedents of Dev&#299;</strong></p><p>Dev&#299; is the supreme being in the &#346;&#257;kta traditions and the basis of tantra in Hinduism, Jainism and Buddhism. She is an embodiment of power that represents cosmic energy and is manifested in numerous forms. In Vivekananda&#8217;s words, &#8220;The Absolute is formless, but energy is female. When the energy takes form, it is called Mother. Mother is the moving power, disturbing into waves the water-calm of the Absolute.&#8221; The intertwining of Dev&#299; with the Absolute is presented as the union of &#346;iva and &#346;akti in Tantra, as <em>puru&#7779;a</em> and <em>prak&#7771;ti</em> in Vedic traditions and as <em>brahman</em> and <em>m&#257;y&#257;</em> in the Advaitic system. Dev&#299;, as the universal energy, is <em>ku&#7751;&#7693;alin&#299;</em>, omnipotent, and once awakened she opens up the path of self-realization. This essay examines the visual representation of the Dev&#299; as goddess Durg&#257;, the fierce one in the context of the sixth-century Sanskrit text of the <em>Dev&#299;-M&#257;h&#257;tmyam. </em>A substantial text that consolidates the Dev&#299; cult in different regions of the subcontinent, the folio analyzed in the essay is from the <em>Dev&#299;-M&#257;h&#257;tmyam</em> set, comprising 173 miniatures from the Kangra school, each 18 centimeters in height, and 26 centimeters in width. The work belongs to the Chandigarh Museum and is dated to the second half of the 18th century. It establishes Dev&#299; as an emblem of power and valour and gives insights into the imaginative vision of the Indian painter, to visualize the divine within the Indian miniature traditions of the hill regions of north India.</p><div><hr></div><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://read.tarkajournal.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">Tarka is a reader-supported journal of yoga philosophy and contemplative studies. Subscribe to receive weekly articles and educational resources.</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><div><hr></div><p>Within the plethora of Hindu Gods, Dev&#299; represents the  feminine energy and becomes the central deity amalgamating various female goddesses already existing within diverse traditions. She encompasses the village goddesses worshiped in the Indian subcontinent as local female deities in folk traditions, or as Sarasvati, Usha, Aditi, Prithvi in the Vedic traditions. Dev&#299; has innumerable forms and names and yet retains her supreme place in the Hindu pantheon. She is referred to as <em>Shakti (&#346;akti) </em>or <em>Durg&#257;, </em>one who fights with demons. While Shakti and Durg&#257; are interchangeably used, Shakti refers<em> </em>to the power to annihilate the demons. <em>Shakti</em> manifests the inner force in the absence of which no action can be performed. It symbolizes the energy evoked by the Gods to restore the cosmic balance. On the contrary, one popular etymology of Durg&#257; derives from <em>durg, </em>denoting &#8216;fortress&#8217;: a strong and powerful fortress that protects its inhabitants.  According to David Kinsley, &#8220;Durga is inextricably associated with the physical world, the world she creates, sustains, and protects in her various forms.&#8221; This essay tries to relocate the presence of the Dev&#299; cult at the center of the Hindu pantheon, and suggests a contrasting point of view offered by Dev&#299; through her association with the feminine, thereby creating a space of her own within the dominance of the patriarchal cults of Vi&#7779;&#7751;u and &#346;iva through her divine and fierce manifestations.</p><p>The visual presence of Dev&#299; as Durg&#257; evokes an encounter with <em>V&#299;ra</em> rasa in the minds of the adherent. Dev&#299; becomes a potent deity, meditating upon her arouses one&#8217;s latent power, leading to experiencing victory. <em>Rasa </em>literally means the &#8216;sap&#8217; or the extract of plants. At a micro level it signifies the non material essence of a thing, and is causally related to <em>bh&#257;va &#8211; </em>the &#8216;mood&#8217; or emotional state of the viewer, audience, or the one who experiences. Bharata proposes eight such moods, each having a corresponding <em>rasa</em>. These are <em>&#347;&#7771;&#7749;g&#257;ra</em> (the erotic), <em>h&#257;sya</em> (the amusing), <em>karu&#7751;a</em> (the compassionate), <em>raudra</em> (the furious), <em>v&#299;ra</em> (the heroic), <em>bh&#257;yanaka</em> (the fearsome), <em>b&#299;bhats&#257;</em> (the odious) and <em>adbhuta</em> (the marvelous). Another <em>rasa</em> that was added to the list later is the <em>&#347;&#257;nta</em> (the quiescent) completing the total to nine, known as the <em>nava-rasas</em>. Amongst all the <em>nava-rasas</em> that appropriates the visual depiction of Durg&#257; in <em>Dev&#299;-M&#257;h&#257;tmyam</em> is the <em>v&#299;ra rasa</em>. The <em>N&#257;&#7789;ya&#347;&#257;stra</em> states that the <em>v&#299;ra</em> <em>rasa</em> relates to the superior type of persons and has excitement as its basis. <em>Uts&#257;ha</em> is the <em>sth&#257;yibh&#257;va</em> of <em>v&#299;ra</em> <em>rasa</em> referring to the heroic sentiment. The episode of Durg&#257; slaying the buffalo demon Mahi&#7779;&#257;sura from the <em>Dev&#299;-M&#257;h&#257;tmyam</em>, becomes one such performative moment evoking <em>v&#299;ra</em> <em>rasa</em> representations that can be seen across  different visual styles of popular, calendar, folk and  miniature art traditions.</p><p>It also brings focus to the presence of local chieftains of the Punjab hills and their conflicts for power amongst rivals. Dev&#299; miniatures from the region reveal the complexity of such relationships of patronage and its association with  warrior cults of the northern hills. To conquer wars, one requires power and Dev&#299; - as embodiment of power - finds a prominent representation in these geographies demonstrating such territorial conflicts. From Rajasthan to Punjab hills, this control of power leads to the recurrence of Durg&#257; in Indian painting traditions.</p><p>According to Vidya Dehejia, &#8220;as <em>Jaganmata</em>, or Mother of the universe, she assumes cosmic proportions, destroying evil and addressing herself to the creation and dissolution of the worlds.&#8221;</p><p>There are several mythological accounts of the origin of Durg&#257; in the <em>Pur&#257;&#7751;ic</em> period. The <em>Skanda Pur&#257;&#7751;a</em> relates that once upon a time a demon named Mahi&#7779;a threatened the world. &#346;iva requested Parvati to slay the demon. Parvati then assumed the form of a warrior goddess and defeated the demon, who took the form of a buffalo. Thereafter, Parvati was known by the name Durg&#257;, the <em>Mah&#299;&#7779;&#257;suramardin&#299;</em>.</p><p>David Kinsley, in his book <em>Hindu Goddesses: Vision of the Divine Feminine in the Hindu Religious Traditions, </em>briefly brings in another perspective of the origin of Durg&#257; and relates it to the goddess cult of the indigenous tribes.</p><blockquote><p>&#8220;Durg&#257;&#8217;s historical origins seem to be among the indigenous non-&#256;ryan cultures of India. In addition to there being no similar goddess among the deities of the Vedic traditions, many early references to Durg&#257; associate her with peripheral areas such as the Vindhya mountains, tribal peoples such as &#346;abaras, and non-&#256;ryan habits such as drinking liquor and blood and eating meat.&#8221;</p></blockquote><p>In this context the <em>Dev&#299;-M&#257;h&#257;tmya</em> becomes a pivotal text, reflecting the vast expanse of Dev&#299; and its manifestations.</p><div><hr></div><h4><strong>Thank you for reading this excerpt from a longer essay.</strong></h4><h4><strong>To read the full essay get the new issue of Tarka </strong><em><strong>On Power, </strong></em><strong>in print or digital, from the Tarka Journal <a href="https://www.tarkajournal.com/store">online bookstore.</a></strong></h4><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://www.tarkajournal.com/store" 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15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><div><hr></div><p><strong>About the author: </strong>Vinod Bhatia, PhD, is currently an Assistant Professor with the Department of Design Space, NIFT Haryana. With a Masters Degree in Design and Post Graduate Diploma in Indian Aesthetics from Jnanpravaha, Mumbai. His research inter ests revolve around material and visual cultures, with special emphasis on Indic traditions of image making.</p><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://read.tarkajournal.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div>]]></content:encoded></item><item><title><![CDATA[On Practice]]></title><description><![CDATA[Four Somatic Explorations for Experiencing Your Own Power]]></description><link>https://read.tarkajournal.com/p/on-practice</link><guid isPermaLink="false">https://read.tarkajournal.com/p/on-practice</guid><dc:creator><![CDATA[Tarka Journal]]></dc:creator><pubDate>Thu, 13 Aug 2026 15:00:55 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!B2ws!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa561a02d-f8bd-4eb5-b9e3-a2667ba5a781_1694x900.png" length="0" type="image/jpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!B2ws!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa561a02d-f8bd-4eb5-b9e3-a2667ba5a781_1694x900.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!B2ws!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa561a02d-f8bd-4eb5-b9e3-a2667ba5a781_1694x900.png 424w, 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srcset="https://substackcdn.com/image/fetch/$s_!B2ws!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa561a02d-f8bd-4eb5-b9e3-a2667ba5a781_1694x900.png 424w, https://substackcdn.com/image/fetch/$s_!B2ws!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa561a02d-f8bd-4eb5-b9e3-a2667ba5a781_1694x900.png 848w, https://substackcdn.com/image/fetch/$s_!B2ws!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa561a02d-f8bd-4eb5-b9e3-a2667ba5a781_1694x900.png 1272w, https://substackcdn.com/image/fetch/$s_!B2ws!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa561a02d-f8bd-4eb5-b9e3-a2667ba5a781_1694x900.png 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg" class="icon-noB79L"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image buttonBase-GK1x3M"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2 icon-noB79L"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><h4>From <a href="https://www.tarkajournal.com/store/p/on-power-print">Tarka Vol. 9: </a><em><a href="https://www.tarkajournal.com/store/p/on-power-print">On Power</a></em><a href="https://www.tarkajournal.com/store/p/on-power-print">,</a> by Bex Naj</h4><p>&#8220;Power&#8221; is a powerful word, suffused with load-bearing and often polarizing meaning. I observe some folks around me wanting more of it, pursuing its accumulation, while others vilify it, pushing it away. But whether we like it or not, power seems to collect, almost of its own volition, channeled through us whether we seek it out or avoid it. Power finds the low spots, the attractor basins, and settles there, knocking things out of balance as it aggregates. It collects and stagnates if we don&#8217;t enact strategies to keep it flowing. This could seem daunting on even a local community scale, so let&#8217;s start with our bodies. Sensing, feeling, and experiencing power in your own body, allowing it not only to exist, but to also flow freely, underlies the potential reimagining of the new power structures we want to see in our communities, local and global. And in our bodies, we are doing this all the time if we are alive. What we can create as a species is more powerful when borne of the power of coordination, power with, rather than power over. </p><p>My somatic proposal is this: can you disentangle the word &#8220;power&#8221; from any social, moral, ethical, or political assumptions you may have, and feel your own power as an aspect of your aliveness? Can you recall a time when you felt powerful? Not in a social or political way, or by comparison to someone else, though that may have been part of the context, but in the felt sense of your body? How would you describe what power feels like in your body, and does seeking the experience of your own embodied power feel familiar? Does it feel new? Comforting? Challenging? Scary? Taboo, even?</p><div><hr></div><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://read.tarkajournal.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">Tarka is a reader-supported journal of yoga philosophy and contemplative studies. Subscribe to receive weekly articles and educational resources.</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><div><hr></div>
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Tarka’s “On Power” & Song of Sādhana Out Now ]]></title><description><![CDATA[Plus Tarka On Power Launch Event TONIGHT!]]></description><link>https://read.tarkajournal.com/p/new-publications-tarkas-on-power</link><guid isPermaLink="false">https://read.tarkajournal.com/p/new-publications-tarkas-on-power</guid><pubDate>Tue, 11 Aug 2026 14:08:17 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!CYHs!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F93f225ef-3513-44f8-879f-714abc878f28_1362x934.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!CYHs!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F93f225ef-3513-44f8-879f-714abc878f28_1362x934.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!CYHs!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F93f225ef-3513-44f8-879f-714abc878f28_1362x934.jpeg 424w, https://substackcdn.com/image/fetch/$s_!CYHs!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F93f225ef-3513-44f8-879f-714abc878f28_1362x934.jpeg 848w, https://substackcdn.com/image/fetch/$s_!CYHs!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F93f225ef-3513-44f8-879f-714abc878f28_1362x934.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!CYHs!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F93f225ef-3513-44f8-879f-714abc878f28_1362x934.jpeg 1456w" sizes="100vw"><img 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data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/93f225ef-3513-44f8-879f-714abc878f28_1362x934.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:934,&quot;width&quot;:1362,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:267447,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:&quot;https://read.tarkajournal.com/i/210754101?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F93f225ef-3513-44f8-879f-714abc878f28_1362x934.jpeg&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!CYHs!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F93f225ef-3513-44f8-879f-714abc878f28_1362x934.jpeg 424w, https://substackcdn.com/image/fetch/$s_!CYHs!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F93f225ef-3513-44f8-879f-714abc878f28_1362x934.jpeg 848w, https://substackcdn.com/image/fetch/$s_!CYHs!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F93f225ef-3513-44f8-879f-714abc878f28_1362x934.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!CYHs!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F93f225ef-3513-44f8-879f-714abc878f28_1362x934.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg" class="icon-noB79L"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image buttonBase-GK1x3M"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2 icon-noB79L"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p>Power is among the most loaded words in our modern lexicon &#8212; at once the name for what we simultaneously fear and desire, what liberates and what oppresses, what creates and what destroys. No single tradition, political theory, or spiritual framework has succeeded in resolving this paradox, and this issue of <em>Tarka</em> does not attempt to do so either. What it does attempt is something more honest and hopefully more useful: to hold the paradox open, and to let a plurality of voices &#8212; philosophical, historical, mythological, somatic, and devotional &#8212; illuminate its various dimensions and expressions.</p><p>What unites the contributions gathered here is less a shared conclusion than a shared conviction &#8211; that the question of power cannot be adequately addressed from any homogenous perspective, and that contemplative traditions carry conceptual resources for thinking about power that Anglo-American political discourse has barely begun to reckon with. The Sanskrit word <em>&#347;akti</em> &#8212; power, energy, the generative force of reality itself &#8212; points toward precisely this under-explored depth. It names not simply the power that dominates and coerces, but also the power that creates, illuminates, and sustains. Yet as several contributors here make clear, even <em>&#347;akti</em> has a history &#8212; and that history, like so much history, is not always straight-forward.</p><p>The topics that touch on power are as unlimited as the notion itself, but the contributed essays cover a broad and sometimes provocative territory. Like with previous issues of Tarka, Editor in Chief Stephanie Corigliano and Editorial Director <span class="mention-wrap" data-attrs="{&quot;name&quot;:&quot;Jacob Kyle&quot;,&quot;id&quot;:141523918,&quot;type&quot;:&quot;user&quot;,&quot;url&quot;:null,&quot;photo_url&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/2da94b1e-bd3c-4a5a-8e42-d7e5ac54c006_1254x1254.png&quot;,&quot;uuid&quot;:&quot;6becf0c7-3ce0-42ed-b675-eb8221652964&quot;}" data-component-name="MentionToDOM"></span> have attempted to curate an issue that will hopefully create openings for further inquiry, reflection, and research.<br><br>For yoga and meditation practitioners in particular, the issue provides focused explorations of power in moments in history, knowledge systems, and invites readers to consider power in multiple guises: as ascetic discipline and inner attunement, as political and institutional force, as the creative potency of the divine feminine, as the subtle somatics of <em>ku&#7751;&#7693;alin&#299;</em>, as the freedom discovered through devotion, and as the quiet authority we all transmit through our movements both personal and political.<br><br><strong>Our esteemed list of contributors includes:</strong> <em>Reggie Hubbard, Ruth Westoby, Rebekah Nagy, Trish Tillman, Jacob Kyle, James Mallinson, Christopher Jain Miller, Jensen Martin, Kalpesh Bhatt, Isa Gucciardi, Devora Neumark, Vinod Bhatia, Hap Savage, T&#233;a Nicolae, Matthew Gindin, Allan &#8220;Adi&#8221; Abril, Igor Kufayev, Stephanie Corigliano, Bex Naj, Devon Harris, </em>and <em>Alba Rodriguez.</em></p><p><em>The issue is available as a digital PDF or as a beautiful print issue for your coffee table or contemplative library. </em>Order via our <a href="https://www.tarkajournal.com/store">online bookstore.</a></p><div><hr></div><h4>TODAY | TARKA Volume 9, <em>On Power </em>Launch Party </h4><p><strong>Tuesday, August 11 &#183; 1:00pm ET &#183; Online &#183; Free &amp; open to all</strong></p><p><span>We are delighted to invite you to the online launch party for the newest issue of Embodied Philosophy&#8217;s journal, </span><em><span>Tarka. On Power </span></em><span>is Issue 9,</span><strong><span> </span></strong><span>but with counting our &#8216;zero issue&#8217; (&#8220;On the Scholar-Practitioner&#8221;), </span><em><span>Tarka</span></em><span> is celebrating its 10th manifestation in print. Join us </span><strong><span>today, Tuesday, August 11th, at 1:00pm ET</span></strong><span> for a free, live gathering to celebrate the newest issue of </span><em><span>Tarka</span></em><span> &#8212; a journal of deep contemplative inquiry and research for scholar-practitioners and intellectually-curious students of contemplative traditions.</span></p><p>During our launch &#8220;party&#8221; tomorrow, you&#8217;ll hear from Jacob Kyle on the history and mission of <em>Tarka</em>, Stephanie Corigliano on why we chose to devote an issue to the topic of power, and a roundtable of contributors in attendance sharing the ideas behind their essays and how power connects to their own field of research and practice. Floss Harry will guide a conversation with contributors, and we&#8217;ll close with a look ahead at the future of <em>Tarka</em> and our plans for expansion.</p><p><strong><span>The event is open to the public and will run a little over an hour. </span></strong><span>Bring your questions and your curiosity. We&#8217;d love to have you in the room.</span></p><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://www.google.com/url?q=https://ctrk.klclick.com/l/01KZPW2S2PD7JKRMN5ZXVNEFRD_2&amp;source=gmail&amp;ust=1786542109241000&amp;usg=AOvVaw3PxPTDrm99SZAL8ZDMazkh&quot;,&quot;text&quot;:&quot;Join the Launch Party&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://www.google.com/url?q=https://ctrk.klclick.com/l/01KZPW2S2PD7JKRMN5ZXVNEFRD_2&amp;source=gmail&amp;ust=1786542109241000&amp;usg=AOvVaw3PxPTDrm99SZAL8ZDMazkh"><span>Join the Launch Party</span></a></p><div><hr></div><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!hsFj!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa2b659b6-753c-427a-ad28-a5ae093e03bf_1500x1029.webp" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!hsFj!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa2b659b6-753c-427a-ad28-a5ae093e03bf_1500x1029.webp 424w, https://substackcdn.com/image/fetch/$s_!hsFj!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa2b659b6-753c-427a-ad28-a5ae093e03bf_1500x1029.webp 848w, https://substackcdn.com/image/fetch/$s_!hsFj!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa2b659b6-753c-427a-ad28-a5ae093e03bf_1500x1029.webp 1272w, https://substackcdn.com/image/fetch/$s_!hsFj!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa2b659b6-753c-427a-ad28-a5ae093e03bf_1500x1029.webp 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!hsFj!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa2b659b6-753c-427a-ad28-a5ae093e03bf_1500x1029.webp" width="1456" height="999" 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srcset="https://substackcdn.com/image/fetch/$s_!hsFj!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa2b659b6-753c-427a-ad28-a5ae093e03bf_1500x1029.webp 424w, https://substackcdn.com/image/fetch/$s_!hsFj!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa2b659b6-753c-427a-ad28-a5ae093e03bf_1500x1029.webp 848w, https://substackcdn.com/image/fetch/$s_!hsFj!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa2b659b6-753c-427a-ad28-a5ae093e03bf_1500x1029.webp 1272w, https://substackcdn.com/image/fetch/$s_!hsFj!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa2b659b6-753c-427a-ad28-a5ae093e03bf_1500x1029.webp 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg" class="icon-noB79L"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image buttonBase-GK1x3M"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2 icon-noB79L"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><h4>Chants &amp; Mantras of the Non-Dual &#346;&#257;kta-&#346;aiva Tradition</h4><p><strong>Embodied Philosophy</strong> recently compiled a book of Sanskrit chants for those who attended the <a href="https://g3j1.engage.squarespace-mail.com/r?m=6a642c290527947a39f760f0&amp;u=https%3A%2F%2Fenroll.embodiedphilosophy.com%2Fsadhana-school&amp;w=6269d46844c82f0cce6dbac2&amp;c=b_6a612b8a14a24b4e78dd0118&amp;l=en-US&amp;s=A3MQ68ZycLUmUWEUbhqKcmmhUbk%3D">S&#257;dhana School</a> Summer Retreat in Taos, New Mexico and Online. We are pleased to make this volume available to the broader EP and Tarka communities.</p><p><em>Song of S&#257;dhana</em> includes chants and hymns of the non-dual &#346;&#257;kta-&#346;aiva tradition, in full IAST Sanskrit transliteration with fresh translations. The volume includes chants for daily recitation, including the <em>&#346;r&#299; Rudram</em> (<em>Namakam</em> section), the <em>Ga&#7751;apati Atharva-&#347;ir&#7779;a Upani&#7779;ad</em>, the <em>Ku&#7751;&#7693;alin&#299; Stava&#7717;</em>, five of Abhinavagupta&#8217;s <em>stotras</em>, and several other chants and hymns. Jacob Kyle&#8217;s introduction presents the book as philosophy enacted through the practice of chanting.</p><p><em>The issue is available as a spiral-bound print issue or PDF download for your study and personal recitation practice.</em></p><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://www.tarkajournal.com/store/p/song-of-sadhana?ss_source=sscampaigns&amp;ss_campaign_id=6a612b8a14a24b4e78dd0118&amp;ss_email_id=6a642c290527947a39f760f0&amp;ss_campaign_name=NEW+PUBLICATIONS%21+Tarka%E2%80%99s+%E2%80%9COn+Power%E2%80%9D+%26+Song+of+S%C4%81dhana+Out+Now&amp;ss_campaign_sent_date=2026-07-25T03%3A23%3A35Z&quot;,&quot;text&quot;:&quot;Get Song of S&#257;dhana Now&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://www.tarkajournal.com/store/p/song-of-sadhana?ss_source=sscampaigns&amp;ss_campaign_id=6a612b8a14a24b4e78dd0118&amp;ss_email_id=6a642c290527947a39f760f0&amp;ss_campaign_name=NEW+PUBLICATIONS%21+Tarka%E2%80%99s+%E2%80%9COn+Power%E2%80%9D+%26+Song+of+S%C4%81dhana+Out+Now&amp;ss_campaign_sent_date=2026-07-25T03%3A23%3A35Z"><span>Get Song of S&#257;dhana Now</span></a></p><p></p>]]></content:encoded></item><item><title><![CDATA[When the most boring mantra bears fruit]]></title><description><![CDATA[Reflections on S&#257;dhana with Margaux Knox]]></description><link>https://read.tarkajournal.com/p/when-the-most-boring-mantra-bears</link><guid isPermaLink="false">https://read.tarkajournal.com/p/when-the-most-boring-mantra-bears</guid><pubDate>Fri, 07 Aug 2026 17:11:55 GMT</pubDate><enclosure url="https://images.unsplash.com/photo-1619879310659-01e83a8e9d6b?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHwxfHxtYW50cmF8ZW58MHx8fHwxNzg2MDk0NjkxfDA&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080" length="0" type="image/jpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://images.unsplash.com/photo-1619879310659-01e83a8e9d6b?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHwxfHxtYW50cmF8ZW58MHx8fHwxNzg2MDk0NjkxfDA&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://images.unsplash.com/photo-1619879310659-01e83a8e9d6b?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHwxfHxtYW50cmF8ZW58MHx8fHwxNzg2MDk0NjkxfDA&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080 424w, 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srcset="https://images.unsplash.com/photo-1619879310659-01e83a8e9d6b?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHwxfHxtYW50cmF8ZW58MHx8fHwxNzg2MDk0NjkxfDA&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080 424w, https://images.unsplash.com/photo-1619879310659-01e83a8e9d6b?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHwxfHxtYW50cmF8ZW58MHx8fHwxNzg2MDk0NjkxfDA&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080 848w, https://images.unsplash.com/photo-1619879310659-01e83a8e9d6b?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHwxfHxtYW50cmF8ZW58MHx8fHwxNzg2MDk0NjkxfDA&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080 1272w, https://images.unsplash.com/photo-1619879310659-01e83a8e9d6b?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHwxfHxtYW50cmF8ZW58MHx8fHwxNzg2MDk0NjkxfDA&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg" class="icon-noB79L"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image buttonBase-GK1x3M"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2 icon-noB79L"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a><figcaption class="image-caption">Photo by <a href="https://unsplash.com/@raimondklavins">Raimond Klavins</a> on <a href="https://unsplash.com">Unsplash</a></figcaption></figure></div><p><span>Two years ago, I found myself wanting to learn more about yoga philosophy, and the non-dual tantric lineage I was told modern yoga was derived from. I&#8217;d been a certified yoga teacher for nearly 4 years, but I still felt unclear on the philosophical parts. My yoga teacher training was extremely dense and high quality &#8212; I could tell you all about somatics, or ideal alignment in any pose &#8212; but when it came to a dharma talk or dropping in a bit of insight from the Yoga Sutras, I was very unsure of myself. Every time I thought I had it all figured out, I&#8217;d read something else that complicated it, and I&#8217;d keep my mouth shut. I struggled to offer energy-focused practices that were genuine and powerful, because I knew so much of what we know about the </span><em><span>cakras</span></em><span> is muddied with new age thought. The more I read, the more confused I got, as the contradictions piled up. I wanted to clear things up for good.</span></p><p><span>One day, I saw a video on YouTube where Jacob Kyle explained that sv&#257;dhy&#257;ya (Self-study), one of the niyamas of the 8 limbs of the a&#7779;&#7789;&#257;&#7749;ga path of yoga, didn&#8217;t actually mean &#8220;getting to know your desires, needs, boundaries, and preferences,&#8221; as I&#8217;d repeatedly seen people saying all over social media, in yoga classes, and even in my teacher training. Sv&#257;dhy&#257;ya is a process of studying not our limited egoic self, but the &#8220;capital-S&#8221; Self. It&#8217;s the study, and recitation of sacred texts. Hearing this lit a fire in me, and I knew my next step in exploring yoga, tantra, and non-dual philosophy.</span></p><p><span>Unfortunately, as I began reading, I realised I didn&#8217;t have anywhere near enough knowledge and context to make sense of much of what I was seeing. I didn&#8217;t know where to start to build the foundation. Fortuitously, I got an email announcing the launch of S&#257;dhana School, and I knew it was exactly what I was looking for. I spent the next several months in S&#257;dhana School diving deep into the material, reading the texts, and clearing up the contradictions. The core aspect of the program was, of course, s&#257;dhana (daily practice) with one mantra. This is where I struggled to stay engaged.</span></p><div><hr></div><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://read.tarkajournal.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">Tarka is a reader-supported journal of yoga philosophy and contemplative studies. Subscribe to receive weekly articles and educational resources.</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><div><hr></div><p><span>At the start of S&#257;dhana School, Jacob advised us to practice with the mantra &#8216;ha&#7745;sa&#8217; daily. I&#8217;d been introduced to &#8216;ha&#7745;sa&#8217; in my yoga teacher training years before, but as its inverse &#8216;so&#8217;ham&#8217;. The mantra translates to &#8220;I am That&#8221; or &#8220;That I am&#8221;, with &#8216;That&#8217; being the divine (&#346;iva, &#346;akti, Brahman, the universe, pure awareness). It&#8217;s a mantra we&#8217;re already repeating again and again, because it&#8217;s expressed through our breath: &#8216;ha&#7745;&#8217; as the inhale, and &#8216;sa&#8217; as the exhale. By simply breathing, we are constantly reaffirming our oneness with the divine. By centring our s&#257;dhana around it, we study and come to know the Self. I thought it was interesting in theory, the non-duality expressed in such a simple mantra tied to each breath, but I found the practice boring. So, during my yoga teacher training, I ended up pursuing Buddhist mett&#257; and vipassan&#257; meditation styles instead.</span></p><p><span>With our accompanying deep study in S&#257;dhana School, the mantra certainly had some new appeal, but I still found the practice difficult to anchor to. I thought maybe my mind was just too busy for a mantra like this. Perhaps I needed the structure and control of something like vipassan&#257;, which aims to turn away thoughts and feelings to make space for the practice. Instead, t&#257;ntrik practice invites in all these experiences, and shows us their non-duality. This felt hard, and I was annoyed at not being able to turn off my thoughts to experience the mantra without distraction.</span></p><p><span>Despite my struggles and boredom, I did my duty of practicing with it most days, but my practice fizzled out a few weeks after the final term of the first year of S&#257;dhana School. Fortunately, our year-end retreat breathed new life into the mantra as I was finally able to shift my approach from consciously repeating the mantra to </span><em><span>listening</span></em><span> for it. I experienced profound dreams, physical healing, and a new ability to truly engage with the mantra. It was so intense that it actually left me feeling very disoriented for several weeks following the retreat. </span></p><p><span>When I was asked to return as a Teaching Assistant for the second year of S&#257;dhana School, I found the curriculum brought even more depth, and yet&#8230; I once again became inconsistent with the mantra. Even though I could now hear it more clearly, and had felt its impact on retreat, the boredom and annoyance crept back in. I carried it through the first and second terms, but soon stripped back to only practicing with my initiatory mantra. I had skipped &#8216;ha&#7745;sa&#8217;, and its derivatives, for months by the time we reached retreat time.</span></p><p><span>The profundity of the </span>ha&#7745;sa<span> mantra is not lost on me. We&#8217;ve explored it in great detail across the 2 years of S&#257;dhana School. From Mary Reilly-Nichols&#8217; passionate expositions, to Jacob Kyle&#8217;s intellectual explorations and emotional disclosures, to Nataraj Chaitanya&#8217;s poetic waxing on the mantra&#8217;s nectar, it&#8217;s been made very clear to me how powerful this mantra really is. Intellectually, I get this, and I could even explain it to you in detail. But that doesn&#8217;t make it any less boring sometimes! This, of course, is the challenge. To stay with the practice even through seasons of boredom, distraction, contraction, and delusion.</span></p><div><hr></div><h4><strong>Explore the Print and/or Digital Issues of </strong><em><strong>Tarka Journal</strong></em><strong> in our <a href="https://www.tarkajournal.com/store">online shop</a>.</strong></h4><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://www.tarkajournal.com/store" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!ZIxY!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F94a15176-8cef-44b9-8feb-002500378dc3_1362x934.jpeg 424w, 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https://substackcdn.com/image/fetch/$s_!ZIxY!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F94a15176-8cef-44b9-8feb-002500378dc3_1362x934.jpeg 848w, https://substackcdn.com/image/fetch/$s_!ZIxY!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F94a15176-8cef-44b9-8feb-002500378dc3_1362x934.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!ZIxY!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F94a15176-8cef-44b9-8feb-002500378dc3_1362x934.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" 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15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><div><hr></div><p><span>I&#8217;d love to say that, as a TA in S&#257;dhana School, I&#8217;ve always stood to that challenge, but there would be no use in me lying. I&#8217;ve absolutely let the practice fall by the wayside to keep space for my initiatory practices. Sometimes S&#257;dhana feels dry, or scattered, or irritating, or like straight up torture. It has its seasons. In those times when it&#8217;s been particularly challenging, I&#8217;ve reserved that suffering for the initiatory practices I&#8217;m obligated to do instead of forcing myself to sit through two additional seemingly fruitless sessions a day on top of them.</span></p><p><span>Approaching our year-end retreat for a second time, I once again found myself feeling a bit guilty for neglecting the core mantra practice, but this time I was also bracing for the intensity. I&#8217;d found new depth in my practice as we explored bh&#257;va, rasa, and longing throughout the last couple of terms. I felt far more connected to the divine on an emotional level, and I wondered if this would make this retreat even more destabilising than the last. I just wasn&#8217;t sure I had it in me. I wondered if I&#8217;d just end up sitting back and observing, being more of a support as a TA rather than an active s&#257;dhaka, simply because I couldn&#8217;t weather the power of it. Maybe this was why I couldn&#8217;t extract much nectar from this mantra. Perhaps I just didn&#8217;t have the capacity to hold its potency yet. I resigned myself to this.</span></p><p><span>It seems it&#8217;s always the times that I stop grasping for a certain experience of the mantra that I can actually go deeper. On retreat, I experienced the mantra like never before. &#8216;Ha&#7745;sa&#8217; was suddenly far more than its translation, &#8220;I am that&#8221;, an expression of our non-dual nature. It </span><em><span>was</span></em><span> &#346;iva and &#346;akti. The mantra isn&#8217;t a simple calling to the divine, but a form of Them. I experienced the goddess through it in deeply intimate ways. I truly felt </span><em><span>union</span></em><span> with the divine, now for extended periods of time. I found myself longing to get back into practice, instead of dragging myself to the mat, exhausted and bracing for it. While the first few days brought almost overwhelming feelings of ecstatic pleasure, there was a point when that gave way to a profound sense of peace. </span><em><span>This</span></em><span> was bliss. </span><em><span>This</span></em><span> was oneness. This was what I had always thought t&#257;ntrik meditation was supposed to be like, and yet it was also simultaneously far beyond anything I thought possible. What was uniquely different from the year before is that I didn&#8217;t feel destabilised by it at all. I felt so calm, completely at ease, and madly in love with reality.</span></p><p><span>The work we&#8217;d done through the year around longing, bh&#257;va, and bhakti opened the door for a deep relationship with my i&#7779;&#7789;a-dev&#299;, and She showed me our oneness in every way. I had visions, I heard Her speak to me. I watched the endless fractal field of reality unfold before me, and I melted into it. I felt my body become pure light, love, divinity. I knew that this is what it always was, that there was in fact nothing that wasn&#8217;t </span><em><span>this</span></em><span>.</span></p><p><span>If you had asked me what practice would have carried me to this state of bliss, I never </span><em><span>ever</span></em><span> would have guessed it would be the &#8216;ha&#7745;sa&#8217; mantra. I&#8217;d practiced with it on and off for 2 years, and for stints before that as &#8216;so&#8217;ham&#8217;, and it was only through my trust in Jacob&#8217;s guidance that I kept coming back to it. I try to stay consistent rather than collecting mantras and practices, but there were times that my faith wavered for sure. To think this mantra would be the vehicle to this level of connection, love, and bliss, just as Jacob said&#8230; That would have been unfathomable to me just months ago. The mantra has been my anchor every day since.</span></p><p><span>While I can&#8217;t say it always feels easy, and I&#8217;m always fully focused and feeling that same peace as I did on retreat, and I&#8217;m in constant awareness of the non-dual nature of reality&#8230; what I can say is that, since then, I&#8217;ve never missed a practice. I never cut back to just my initiatory mantra. I sit, listening for &#8216;ha&#7745;sa&#8217; twice a day, every day. Not because I always feel completely one with Her in practice, but because every time the bell rings at the end of my meditation session, I always think &#8220;Just a little more. A few more breaths. Ten more minutes. I want to stay with You longer.&#8221; and I feel Her respond &#8220;We&#8217;re never apart.&#8221; And every time, I feel it a little deeper. It seeps a little further into my awareness. And that&#8230; </span><em><span>That</span></em><span> is the essence of &#8216;ha&#7745;sa&#8217;. That is the fruit of the practice. Knowing just a little more with every breath that I am unseparate from Her, just as She is (and we are) unseparate from &#346;iva. I am always fully one with the deepest love imaginable, and every breath is a chance to feel it more fully.</span></p><div><hr></div><h4><span>If you&#8217;d like to explore the </span>ha&#7745;sa mantra and its teachings further, you may be interested in:<br><br><strong><a href="https://enroll.embodiedphilosophy.com/swan-song"><span>Summer Swan Song: a 21-day journey with the Ha&#7747;sa mantra.</span></a></strong></h4><p><strong><span>August 10 &#8211; 30, 2026 | 11:00 AM ET | Live Online, Daily</span></strong></p><p><span>This offering is </span><strong><span>donation-based,</span></strong><span> so all who desire to can benefit from the nectar of this simple yet profound mantra. </span></p><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://enroll.embodiedphilosophy.com/swan-song&quot;,&quot;text&quot;:&quot;Learn more &amp; Join&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" 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url="https://substackcdn.com/image/fetch/$s_!LMIH!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff93eadca-0084-4ffe-9c73-e9df041e4577_1362x934.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://www.tarkajournal.com/store/p/on-power-print" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!LMIH!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff93eadca-0084-4ffe-9c73-e9df041e4577_1362x934.jpeg 424w, https://substackcdn.com/image/fetch/$s_!LMIH!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff93eadca-0084-4ffe-9c73-e9df041e4577_1362x934.jpeg 848w, 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class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg" class="icon-noB79L"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image buttonBase-GK1x3M"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2 icon-noB79L"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><h4>From <a href="https://www.tarkajournal.com/store/p/on-power-print">Tarka Vol. 9: </a><em><a href="https://www.tarkajournal.com/store/p/on-power-print">On Power</a></em><a href="https://www.tarkajournal.com/store/p/on-power-print">,</a> by Dr Christopher Jain Miller</h4><p>The Jain tradition&#8217;s supreme Namokar Mantra (<em>pam&#803;ca-namokka&#772;ra</em>), quoted here in Prakrit in its earliest known manifestation, gives praise to two orders of exceptional spiritual beings whose knowledge demonstrated that they had<em> </em>the power to destroy all enemies. Jains, devoted as they have been to non-violence (<em>ahim&#803;s&#257;</em>&#772;) for thousands of years, have understood these to be inner enemies, that is, one&#8217;s own karmas. The two categories of supreme figures found here in the Namokar Mantra who have destroyed their karmic enemies are the Arhats and the Siddhas.</p><p style="text-align: center;"><em>namo araha&#7747;t&#257;nam | <br>namo sava-siddh&#257;na&#7747; ||</em><br>I bow to the Arhats   | <br>I bow to all the Siddhas ||</p><p>The Siddhas, or &#8220;perfected ones,&#8221; are those &#8220;who are flourishing through perfectly purified Cognition and Seeing.&#8221; Implied here is the fact that the Siddhas have completely eliminated their knowledge-covering (<em>na&#772;n&#803;a&#772;varan&#803;ijjam</em>&#803;) <em>and</em> intuition-covering (<em>darisan&#803;a&#772;varan&#803;ijjam</em>)<em> </em>karmas, achieved liberation, and now eternally reside at the apex of the Jain universe (<em>loka</em>) as dispassionate observers. Prior to achieving this highly exalted liberated state, however, the Siddhas had gone through a preliminary and much more difficult process of achieving omniscience to become Arhats first.</p><div><hr></div><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://read.tarkajournal.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">Tarka is a reader-supported journal of yoga philosophy and contemplative studies. Subscribe to receive weekly articles and educational resources.</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><div><hr></div><p>According to the canonical S&#769;veta&#772;mbara text <em>Maha&#772;nisi&#772;ha-sutta </em>(7th century CE), the Arhats, or &#8220;those worthy of praise,&#8221; are those beings who are &#8220;within the whole world&#8230; full of omniscience&#8221; due to the fact that they have destroyed the &#8220;invincible enemy&#8221; of karma. Due to their ability to do so, the synonym &#8220;Jina,&#8221; from the Sanskrit verbal root &#8730;<em>ji&#772;</em>, &#8220;to conquer,&#8221; is also often used to describe the Arhats. In the Jain tradition, omniscience (<em>kevala-jn&#771;a&#772;na</em>) is indeed the penultimate step to liberation (<em>moks&#803;a/parinirva&#772;n&#803;a</em>). However, liberation is achieved only when an omniscient Arhat leaves the body at death. Before this final moment, however, he or she, having shown that it is possible to defeat the enemy of karma, remains <em>in the world </em>to dispassionately share Jain teachings with others so that they might achieve the same.</p><p>One of the keywords here is <em>dispassionately</em>, as Arhats have, through their austerities, amassed the power to eliminate all of their karma-attracting passions &#8211; the seemingly invincible enemies &#8211; including compassion, which keep us trapped in the cycle of rebirth and endless suffering. By embodying dispassion, the Arhats model the power necessary to achieve omniscience. This is not to say that compassion is not central to spiritual life in the Jain tradition, as compassion (<em>ka&#772;run&#803;ya</em>) is promoted as the appropriate response for spiritual aspirants toward all beings they encounter who are in a state of distress (<em>klis&#769;yama&#772;na</em>), both human and non-human. Experiences of compassion are even often the experience that wakes people up to pursue the spiritual path according to the Jain tradition, such as when they see animals being sent for slaughter in the case of the Jina Nemina&#772;tha or when they pay close enough attention to the desire of all beings to live, as observed by the Jina Maha&#772;vi&#772;ra. Ultimately, however, Jains recognize that attachments to feelings of any kind will cause karma and must eventually be completely abandoned to avoid rebirth.</p><p>Thus, before advancing to the final blessed state of becoming a Siddha, the Arhat remains fully &#8211; and yet dispassionately &#8211; engaged with the world until the end of his or her life. He or she disseminates the teachings of non-violence and dispassion and serves as the exemplary model around which the Jain community organizes itself, as each of its individual members works toward embodying the requisite knowledge and conduct necessary to achieve the same.</p><p>While embodying such a state that is &#8220;worthy of praise&#8221; (see above), the Arhat has nevertheless also fully relinquished attachment to exercising power. Thus, unlike yogic conceptions of supernatural powers, or <em>siddhis</em>, which are sometimes purposefully sought after by yogins for worldly gain, the Arhats, having eliminated the inner enemies that might tempt them to do the same, join, after their final earthly breath, the <em>pam&#803;ca-namokka&#772;ra&#8217;</em>s praise-worthy Siddhas eternally free from the karmic bondage effected by attachment to power.</p><p>According to Pu&#772;jyapa&#772;da&#8217;s <em>Sarva&#772;rthasiddhi </em>commentary on the canonical <em>Tattva&#772;rtha Su&#772;tra</em>, we are currently in the fifth of sixth descending cosmic time cycles (<em>avasarpin&#803;i</em>&#772;) that began shortly after the liberation of Maha&#772;vi&#772;ra (6th-5th c. BCE) and during which the world is predicted to endure significant suffering. Pu&#772;jyapa&#772;da&#8217;s teachings here seem all too relevant, given the interconnected turmoil wrought by political violence, climate collapse, social injustice, animal agriculture, and biodiversity loss that we all collectively face today. All of these issues are undergirded by humanity&#8217;s abuse of power, the power that Foucault has shown us is everywhere. But this is also the same abusive human power that the Arhats, who are not predicted to appear again for thousands of years, are said to have nevertheless overcome ages ago.</p><p>Until the next ascending cosmic cycle (<em>utsarpin&#803;&#299;</em>&#772;), we are left only with the Arhats&#8217; enduring knowledge in Jain texts and in the few remaining embodied examples in the living Jain ascetic tradition in South Asia today. We also find special tribute to their knowledge etched in stone in the Kha&#772;ravela caves where it has withstood the passing of more than two thousand years:</p><p style="text-align: center;"><em>namo araham&#803;ta&#772;nam</em> | <em>namo sava-siddha&#772;nam</em>&#803; ||<br>I bow to the Arhats   | I bow to all the Siddhas ||</p><div><hr></div><h4><strong>Thank you for reading.</strong></h4><h4><strong>Tarka Volume 9, </strong><em><strong>On Power, </strong></em><strong>was released in July 2027. </strong></h4><h4><strong>To read the rest of </strong><em><strong>On Power, </strong></em><strong>purchase the volume</strong><em><strong> </strong></em><strong>in print or digital from our <a href="https://www.tarkajournal.com/store">online bookstore.</a></strong></h4><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://www.tarkajournal.com/store" data-component-name="Image2ToDOM"><div 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srcset="https://substackcdn.com/image/fetch/$s_!isUJ!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fafeda7c5-4a6c-43de-b8d9-e3e2171da4eb_1362x934.jpeg 424w, https://substackcdn.com/image/fetch/$s_!isUJ!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fafeda7c5-4a6c-43de-b8d9-e3e2171da4eb_1362x934.jpeg 848w, https://substackcdn.com/image/fetch/$s_!isUJ!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fafeda7c5-4a6c-43de-b8d9-e3e2171da4eb_1362x934.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!isUJ!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fafeda7c5-4a6c-43de-b8d9-e3e2171da4eb_1362x934.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg" class="icon-noB79L"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image buttonBase-GK1x3M"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2 icon-noB79L"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><div><hr></div><p><strong>About the author: </strong>Christopher Jain Miller, PhD, is Vice President of Academic Affairs and Professor of Jain and Yoga Studies at Arihanta Institute; Visiting Researcher at the University of Z&#252;rich&#8217;s Asien-Orient-Institut; and Affiliate Professor at Claremont School of Theology. He is the author of Embodying Transnational Yoga: Eating, Singing, and Breathing in Transformation (Routledge 2024).</p>]]></content:encoded></item><item><title><![CDATA[What is Power?]]></title><description><![CDATA[With Ruth Westoby, from Tarka Vol. 9: On Power]]></description><link>https://read.tarkajournal.com/p/what-is-power</link><guid isPermaLink="false">https://read.tarkajournal.com/p/what-is-power</guid><dc:creator><![CDATA[Tarka Journal]]></dc:creator><pubDate>Fri, 31 Jul 2026 13:03:39 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!wP5h!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F60158883-6bc7-4c48-9156-15ee48844e61_1706x922.png" length="0" type="image/jpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" 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srcset="https://substackcdn.com/image/fetch/$s_!wP5h!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F60158883-6bc7-4c48-9156-15ee48844e61_1706x922.png 424w, https://substackcdn.com/image/fetch/$s_!wP5h!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F60158883-6bc7-4c48-9156-15ee48844e61_1706x922.png 848w, https://substackcdn.com/image/fetch/$s_!wP5h!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F60158883-6bc7-4c48-9156-15ee48844e61_1706x922.png 1272w, https://substackcdn.com/image/fetch/$s_!wP5h!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F60158883-6bc7-4c48-9156-15ee48844e61_1706x922.png 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg" class="icon-noB79L"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image buttonBase-GK1x3M"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2 icon-noB79L"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><h4>From <a href="https://www.tarkajournal.com/store/p/on-power-print">Tarka Vol. 9: </a><em><a href="https://www.tarkajournal.com/store/p/on-power-print">On Power</a></em></h4><p>Power is enigmatic, insubstantial, elusive. As we reach for it, try to act through it, it shifts. Power is the ability to do something, to effect a change, to influence or shift or divert a course of events to produce desired outcomes. Like diverting the flow of a stream. To cause others to attend differently, listen differently, think differently, act differently. </p><p>In the first millennium historiographic epic the <em>Mah&#257;bh&#257;rata</em>, yoga is defined quite literally as power (yogabala) (12.289.24). Royal (r&#257;ja) yoga, though popularised by Vivekananda as meditation and associated with Pata&#241;jala Yoga (1896), in the premodern ha&#7789;ha sources appears to be power over the physiological functions of one&#8217;s own body, power to attract and control other people, and power to subvert the &#8216;natural&#8217; laws of sa&#7747;s&#257;ra: power over time, over creation, over life, death, becoming a god (Westoby 2024). </p><h4>In the tradition that you practice, how would the concept of power be defined? </h4><p>This reflection on power draws on my background as an Ashtanga practitioner and academic in yoga studies. The first three series of postures in the Ashtanga method of the Mysore palace, derived through Krishnamacharya and popularised by Pattabhi Jois, are yoga therapy (yogacikits&#257;), cleansing the channels (n&#257;&#7693;&#299;&#347;odhana) and power and beauty (sthirabhaga). </p><div><hr></div><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://read.tarkajournal.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">Tarka is a reader-supported journal of yoga philosophy and contemplative studies. Subscribe to receive weekly articles and educational resources.</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><div><hr></div>
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   ]]></content:encoded></item><item><title><![CDATA[Inhabiting Power]]></title><description><![CDATA[Foucault, Identitarianism, and the Politics of Self-Cultivation]]></description><link>https://read.tarkajournal.com/p/inhabiting-power</link><guid isPermaLink="false">https://read.tarkajournal.com/p/inhabiting-power</guid><dc:creator><![CDATA[Jacob Kyle]]></dc:creator><pubDate>Wed, 29 Jul 2026 13:03:27 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!AaWd!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb8cc4bf1-dd7b-402a-8b7a-56dd9f6094b7_1362x934.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" 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class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg" class="icon-noB79L"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image buttonBase-GK1x3M"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2 icon-noB79L"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><h4>From <a href="https://www.tarkajournal.com/store/p/on-power-print">Tarka Vol. 9: </a><em><a href="https://www.tarkajournal.com/store/p/on-power-print">On Power</a></em><a href="https://www.tarkajournal.com/store/p/on-power-print">,</a> by Jacob Kyle</h4><p>If you&#8217;ve spent any time in academia or in progressive political circles, you&#8217;ve probably heard the name &#8220;Foucault.&#8221; A charismatic thinker often cited when discussing questions of &#8216;power,&#8217; Michel Foucault has acquired a sacred status in recent decades, joining the ranks of the Western philosophical canon. However, with canonization comes the tendency to compress a philosopher&#8217;s nuance into doctrine &#8211; transforming a body of work into something closer to a catechism than a corpus. In the case of Foucault, the &#8216;catechism&#8217; that has emerged belies a recognizable political sensibility: <em>one that finds oppressive power everywhere it looks</em> &#8212; in institutions, language, bodies, and social norms &#8212; and that reflexively interprets virtually every human relationship through the lens of domination and subjugation.</p><p>Those who traffic in this sensibility will sometimes invoke Foucault&#8217;s authority as they simultaneously speak through a doctrine that was alien to him. Citing Foucault as a formative figure in their political awakening to &#8216;power structures,&#8217; they reify an ideology that is unfaithful to what Foucault actually thought. As harbingers of a doctrine I refer to in this essay as <em>identitarianism</em>, they have become a consolidating force of intellectual and discursive power in their own right, blithely unaware of just how vulnerable their theory is to the destabilizing force of Foucault&#8217;s own thinking. What follows in this essay is less a <em>refutation</em> than a <em>recognition</em> &#8211; what is signified in the S&#257;kta-&#346;aiva philosophy as <em>pratyabhij&#241;&#257;</em>. In the technical way this term is developed by the Kashmir &#346;aiva philosophers Utpaladeva and Abhinavagupta, I aim to highlight what was always already present in Foucault&#8217;s work, but which has been obscured by the conflation of his legacy with a contemporary doctrine.</p><div><hr></div><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://read.tarkajournal.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">Tarka is a reader-supported journal of yoga philosophy and contemplative studies. Subscribe to receive weekly articles and educational resources.</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><div><hr></div><p><em>Identitarianism</em> is a contemporary ideology that frames all legitimate claims to political authority as matters of identity. In this framing, politics is progressive insofar as it strives toward the emancipation and inclusion of previously marginalized identities &#8211; a phenomenon often colloquially referred to as &#8220;identity politics.&#8221; Given this term&#8217;s recent appropriation by right-wing ideologues who have used it as a term of abuse against liberals and leftists, &#8220;identity politics&#8221; has become a potentially confusing and imprecise category; adding to the confusion, both left-wing and right-wing movements now traffic in their own respective forms of identity politics. I therefore opt for the less loaded term &#8216;<em>identitarianism</em>&#8217; to refer to what underwrites the moral vocabulary and political doctrine that I analyze below.</p><p>While &#8220;identitarian&#8221; as a term has a long history that extends to the early half of the 20th century, the most politically sober version of its critique comes from thinkers who argue that, when the left organizes primarily around <em>identity categories</em> rather than <em>class</em>, it structurally accommodates neoliberalism rather than challenges it. The argument is that identity-based redistribution operates within, rather than against, existing modes of production. Political theorist Nancy Fraser specifically argued that political mobilization based on identitarian affirmation leads to surface redistribution &#8212; redistribution that does <em>not</em> challenge the status quo; a <em>deconstruction</em> of identitarianism rather than its affirmation is thus more conducive to goals of economic redistribution and justice.</p><h4><strong>The Phases of Foucault&#8217;s Philosophy</strong></h4><p>From the earliest period of Foucault&#8217;s corpus, he addressed &#8211; initially <em>indirectly</em> &#8211; the shifting norms that were instantiated in cultural institutions. His first book, <em>Madness and Civilization</em>, was an adaptation of his doctoral dissertation at the Sorbonne. Published in 1961, Foucault&#8217;s breakout contribution asked the questions: <em>How did &#8216;madness&#8217; become an object of knowledge? When did it become something to confine, classify, and treat? </em>Rather than accepting &#8216;madness&#8217; as a perennial psychological category or condition, Foucault traced the ways in which it hardened into a mode of identity &#8211; the &#8220;mad subject&#8221; &#8211; and was consolidated through what he refers to as the &#8220;Great Confinement.&#8221;</p><p>In 17th century European society, large numbers of people were newly confined to an emerging institution: the <em>asylum</em>. Groups affected by this institutionalization included the poor, the unemployed, the sexually &#8216;deviant,&#8217; the criminal, and the mentally ill. Foucault aimed to demonstrate that this institutional marginalization was not rooted in a medical decision, but in a moral and economic one that effectively (re)structured the social order. The new social category of &#8216;madness&#8217; was predicated upon conceptions of unreason, irrationality, idleness, and vice. What the &#8220;Great Confinement&#8221; reflected was therefore not so much a benevolent acknowledgment of &#8216;differences&#8217; that necessitated specialized treatment, but a growing social consensus and institutional conformity around a particular conception of <em>normality</em>. Whatever identity or set of behavioral patterns did not fit this conceptual picture were deemed &#8216;abnormal.&#8217; As such, they were seen as exhibiting symptoms of a &#8216;madness&#8217; that society was suddenly compelled to &#8216;treat&#8217; through a new &#8216;clinical gaze&#8217; of medicalization, isolation, and scientific discipline. The irreverent and satirical &#8216;voice of madness&#8217; that was previously represented in the Classical Age was later silenced during the Renaissance period.</p><p>While he referred to his first book as a &#8220;history&#8221; of madness, Foucault soon adopted the term &#8220;archeology&#8221; and then later &#8220;genealogy&#8221; to refer to his philosophical method &#8212; the latter being inspired by the 19th century German philosopher, Freidrich Nietzsche, and his work<em> On the Genealogy of Morals</em>. In what we&#8217;ll refer to as his &#8220;archaeological phase&#8221; of the 1960s, Foucault was concerned with discourse, implicit rules governing what counts as knowledge, and the historical conditions of possibility that permit various normative statements to arise &#8211; grounded in particular notions of &#8216;truth,&#8217; &#8216;fact,&#8217; and &#8216;common sense.&#8217; During this period, he was not explicitly concerned with power relations, but rather with <em>epistemes</em> &#8212; the underlying structures that determine what can, must, or should be thought at any given time.</p><p>The 1970s marked the beginning of his subsequent &#8220;genealogical phase,&#8221; which introduced what the archaeological analysis had largely bracketed out: bodies, power relations, institutional practices, and the agonistic dimension of history. He shifted from an analysis of the <em>conditions</em> of discourse to an analysis of the <em>effects</em> of power. He asked questions regarding how socio-political systems emerge through conflict, contingency, and force. To summarize, if his &#8216;archaeology&#8217; emphasized broader epistemic ruptures extending over long historical periods, his &#8216;genealogy&#8217; emphasized accidents, struggles, and localized instances of &#8216;non-necessity&#8217; &#8211; his goal being to show that what seemed <em>inevitable</em> was in fact <em>contingent</em>.</p><p>In the early 1980s, just prior to his death, he entered what is sometimes referred to as his &#8216;ethical phase.&#8217; During this short period, something shifted in Foucault&#8217;s work. He became interested in disciplines of self-cultivation (<em>ask&#275;sis</em>), self-writing, care of the self, and &#8216;courageous truth-telling&#8217; (<em>parrhesia</em>). He explored power not as something that institutions do to our bodies, but as something that individuals do <em>with</em>, <em>for</em>, and <em>to</em> themselves. The individual subject became a site of practice, a locus of stylization, and a participant in her own process of creative self-formation. While this does not make subjectivity entirely exempt from the effects of power relations and their constraining influence, nevertheless the individual became acknowledged, in these later works, as a unique site of <em>empowerment</em>.</p><div><hr></div><h4><strong>Thank you for reading this excerpt from a much longer essay.</strong></h4><h4><strong>To read the full essay get the new issue of Tarka </strong><em><strong>On Power, </strong></em><strong>in print or digital, from the Tarka Journal <a href="https://www.tarkajournal.com/store">online bookstore.</a></strong></h4><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://www.tarkajournal.com/store" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!ZIxY!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F94a15176-8cef-44b9-8feb-002500378dc3_1362x934.jpeg 424w, https://substackcdn.com/image/fetch/$s_!ZIxY!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F94a15176-8cef-44b9-8feb-002500378dc3_1362x934.jpeg 848w, https://substackcdn.com/image/fetch/$s_!ZIxY!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F94a15176-8cef-44b9-8feb-002500378dc3_1362x934.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!ZIxY!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F94a15176-8cef-44b9-8feb-002500378dc3_1362x934.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!ZIxY!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F94a15176-8cef-44b9-8feb-002500378dc3_1362x934.jpeg" width="1362" height="934" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/94a15176-8cef-44b9-8feb-002500378dc3_1362x934.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:934,&quot;width&quot;:1362,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:175965,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:&quot;https://www.tarkajournal.com/store&quot;,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" 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class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg" class="icon-noB79L"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image buttonBase-GK1x3M"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2 icon-noB79L"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><div><hr></div><p><strong>About the author: </strong>Jacob Kyle, MPhil, is a meditation teacher, writer, philosophy educator, and the Founding Director of Embodied Philosophy. He is a doctoral candidate at the University of Oxford, where he researches the Pratyabhij&#241;&#257; philosophical tradition under the supervision of Diwakar Acharya and Monima Chadha. He holds an MPhil in Classical Indian Religions from Oxford (2023), an MA in Philosophy from the New School for Social Research (2017), and an MSc in Political Theory from the London School of Economics (2007). A student of Kashmir &#346;aivism schol ar-practitioner Paul Muller-Ortega, Jacob is a devoted practitioner of the &#346;aiva-&#346;&#257;kta Dar&#347;ana. He writes overly pedantic essays on the divine, yoga, philosophy, politics, and the dysfunctional relationship between scholarship and mysticism at <a href="https://www.jacobkyle.com/">jacobkyle.com</a>.</p>]]></content:encoded></item><item><title><![CDATA[Introducing Tarka Vol. 9: On Power]]></title><description><![CDATA[Exploring the paradox of power at the heart of contemplative life]]></description><link>https://read.tarkajournal.com/p/introducing-tarka-vol-9-on-power</link><guid isPermaLink="false">https://read.tarkajournal.com/p/introducing-tarka-vol-9-on-power</guid><dc:creator><![CDATA[Tarka Journal]]></dc:creator><pubDate>Mon, 27 Jul 2026 11:58:37 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!lmGn!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F6fe842d8-94c4-4737-9f21-9a595bf31300_1362x934.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<div 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class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg" class="icon-noB79L"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image buttonBase-GK1x3M"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2 icon-noB79L"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p>The editors of <em>Tarka</em> and its publisher, Embodied Philosophy, are delighted to share this timely issue following an extended hiatus. Tarka Vol. 9, <em>On Power, </em>can now be ordered in print or as PDF at <a href="https://www.tarkajournal.com/store">Tarka Journal&#8217;s Online Bookstore.</a></p><h1>Introduction to the Issue</h1><p><strong>I. THE PARADOX AT THE HEART OF PRACTICE</strong></p><p>The pursuit of power is at the heart of classical yoga traditions. Whether it be power over others, power over the spiritual realm, power over one&#8217;s self, or the power to perform acts of telepathy, flight, invisibility, omniscience, or superhuman strength, power is a pervasive feature of the tradition. From the Vedic hymns of the second millennium BCE, when the seers (<em>&#7771;&#7779;is</em>) sought to harness cosmic forces through sacrificial ritual and inspired speech, to the proliferating global yoga cultures of the twenty-first century, where a wide variety of practitioners seek to harness and enhance their mental and physical prowess, power is found as both an implicit value and intended aim.</p><p>At first blush, this may seem at odds with the concept of <em>spirituality</em> &#8211; especially considering the many traditions of renunciation and asceticism. In renunciatory traditions, the emphasis is placed on <em>giving up</em> worldly powers &#8211; anchoring one&#8217;s spiritual practice in a picture of liberation that transcends the world of relative attainments, or in a heavenly paradise defined as one&#8217;s &#8216;true home.&#8217; Situating our efforts in the promise of such transcendent states can inspire the view that acquiring earthly powers is corrupting, &#8216;sinful,&#8217; or illusory. Yet the variable contemplative practices characteristic of many renunciatory traditions imply the accumulation of at least one relevant power &#8211; <em>the ability to control one&#8217;s mind</em>. Wielding power in one form or another is therefore a standard byproduct of contemplative practice. And where power is available, it can paradoxically become either a fuel for insight or the cause of one&#8217;s downfall.</p><p>The <em>Bhagavad-G&#299;t&#257;</em>, among other texts, mentions how difficult it is to control and harness one&#8217;s runaway mind. The giving up of material wealth or the sacrifices of austerity are cited as portals to a power that exceeds the mundane. Additionally, one cannot relinquish attachments to ignorance, confusion, and misunderstanding without at least a modicum of discipline and meditative training. Discipline and training thus assumes an implicit role for power. Depending on the tradition, the power that liberates a limited individual from the seductive forces of cognitive error is variably conceived as the &#8216;power of grace&#8217; (<em>anugraha</em>), the power of illuminative insight (<em>pratibh&#257;</em>), the power of wisdom (<em>praj&#241;&#257;</em>), the power of devotion (<em>bhakti</em>), the power of discernment (<em>viveka</em>), or the power of self-inquiry (<em>vic&#257;ra</em>), among others. More than this, the influence of such powers also creates the conditions for more relative powers to arise in the practitioner. In the traditions of Hinduism, Buddhism, and Jainism, asceticism, or <em>tapas</em>, can lead directly to <em>siddhis</em>, or &#8216;mystical&#8217; powers. The word <em>tapas</em> itself &#8212; deriving from the Sanskrit root <em>&#8730;tap</em>, meaning &#8216;to heat&#8217; or &#8216;to burn&#8217; &#8212; suggests a process of refinement through intensity, in which the practitioner generates an inner fire that purifies, transforms, and ultimately empowers. This is not merely metaphorical.</p><p>In the Vedic cosmological imagination, <em>tapas</em> is a generative force of cosmic proportions, with the creator god Praj&#257;pati himself said to have brought the universe into existence through the heat of his own austerity.<a class="footnote-anchor" data-component-name="FootnoteAnchorToDOM" id="footnote-anchor-1" href="#footnote-1" target="_self">1</a> Power, in other words, is not only the <em>goal</em> of ascetic practice &#8212; it is woven into its very fabric.</p><p>Yet the relationship between austerity and power is morally ambiguous from the outset. The accumulated force of tapas is understood to be neutral &#8212; a kind of spiritual energy that can be directed toward liberation or domination with equal facility. Sometimes these spiritual powers are overtly non-righteous: in the &#346;r&#299;mad-Bh&#257;gavatam, one of the central texts of Bhakti-yoga, the demon Hira&#7751;yaka&#347;ipu performs ferocious acts of tapas &#8212; not to purify himself or draw closer to the divine, but to extort from Brahm&#257; a boon of near invincibility, and thereby assert absolute dominion over gods, humans, and worlds alike. His austerities are genuine; his intentions are not.</p><p>What is instructive about this cautionary tale is not that Hira&#7751;yaka&#347;ipu&#8217;s practice was fraudulent, but that it worked &#8212; suggesting that the cosmos itself does not discriminate between the saint and the tyrant when distributing the fruits of sustained discipline. The ethical orientation of the practitioner is a separate question from the efficacy of the practice, and it is precisely this separation that makes power, in the Dharmic traditions, such a charged and carefully regulated domain.</p><p>This ambivalence is similarly reflected in the Jain tradition, where the t&#299;rtha&#7749;karas (&#8216;ford-makers&#8217;) accumulate extraordinary powers through lives of radical renunciation &#8212; yet these powers are understood as signs of spiritual attainment rather than instruments to be wielded. In Buddhism, the abhij&#241;&#257;s (&#8216;higher knowledges&#8217;) that arise from deep meditation are acknowledged but consistently subordinated to the pursuit of liberation: the Buddha himself is depicted in the P&#257;li canon as cautioning his monks against displaying their powers, lest the pursuit of siddhis become a distraction from &#8212; or worse, a substitute for &#8212; genuine awakening.<a class="footnote-anchor" data-component-name="FootnoteAnchorToDOM" id="footnote-anchor-2" href="#footnote-2" target="_self">2</a></p><p> In Christianity (as well as in many of the world&#8217;s religious traditions) the promise of salvation, or heaven, is reserved for those who give up possessions and status. As said in Luke 12:33, &#8220;Sell your possessions, and give to the needy. Provide yourselves with moneybags that do not grow old, with a treasure in the heavens that does not fail, where no thief approaches and no moth destroys&#8221;.<a class="footnote-anchor" data-component-name="FootnoteAnchorToDOM" id="footnote-anchor-3" href="#footnote-3" target="_self">3</a> Here, there is seemingly a promise of power at the heart of sacrifice and service.</p><div><hr></div><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://read.tarkajournal.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">Tarka is a reader-supported journal of yoga philosophy and contemplative studies. Subscribe to receive weekly articles and educational resources.</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><div><hr></div><p><strong>II. POWER IN THE BODY OF TRADITION: THE SIDDHAS</strong></p><p>In many Indian and South Asian contemplative traditions, the presence of &#8216;accomplished beings&#8217; known as <em>siddhas</em> is pervasive. Because these great yogic beings are referenced in Hindu, Buddhist, and Jain traditions, they represent a kind of syncretic religious category of empowered accomplishment that is irreducible to the stated aims of any one religious tradition. The yogic sage and <em>siddha</em>, Matsyendran&#257;tha (also known as Matsyendra, Macchindran&#257;th, M&#299;nan&#257;tha and Minapa) is considered the auspicious founder of the <em>N&#257;tha-sa&#7747;prad&#257;ya</em> &#8211; a tradition that, widely regarded as formative to the development of <em>ha&#7789;ha-yoga</em>, combined elements of Buddhism, Hinduism, Classical Yoga, and Tantra.<a class="footnote-anchor" data-component-name="FootnoteAnchorToDOM" id="footnote-anchor-4" href="#footnote-4" target="_self">4</a> As such, Matsyendran&#257;tha is revered as a trans-sectarean saint who symbolizes a mode of empowerment that is irreducible to the doctrinal coordinates of any one system.</p><p>Often, what distinguishes a system is not the emphasis placed on the <em>siddha</em>, but on the number of <em>siddhas</em> accepted by a tradition. In many Hindu Tantric and Buddhist Vajray&#257;na sources, there are attested eighty-four <em>mah&#257;siddhas</em>. In the Tamil tradition, the canonical number is eighteen. In the N&#257;tha tradition, the recognized number of <em>siddhas</em> is nine. Certain <em>siddhas</em> &#8211; like the aforementioned Matsyendran&#257;tha and his devotee Gorak&#7779;an&#257;tha &#8211; often overlap, albeit with varying names, depending on the tradition. While these variable enumerations and namings can become canonical and a matter of doctrine, it is perhaps an unnecessary assumption to conclude that the <em>siddha</em> is a foreclosed category. According to the Jains, the <em>siddhas </em>have eight specific characteristics, qualities, or <em>powers</em>: (1) absence of corporeal existence, (2) absence of karmic matter, (3) the state of having accomplished all aims, (4) the absence of rebirth, (5) eternity, (6) incorporeality (7) omniscience, and (8) perfect bliss.<a class="footnote-anchor" data-component-name="FootnoteAnchorToDOM" id="footnote-anchor-5" href="#footnote-5" target="_self">5</a></p><p>Characterized in such a way, the <em>siddhas</em> can be considered simultaneously localized beings as well as ever-present symbols for the non-ordinary empowerments that lie dormant within every disciplined practitioner.</p><p>It is perhaps for this reason that the traditions housing the <em>siddhas</em> have never been merely antiquarian in their orientation. The <em>siddha</em> is not simply a historical figure to be venerated from a distance, but a living provocation &#8212; a reminder that the boundaries of human possibility are far more porous than our everyday experience might suggest. The eighty-four <em>mah&#257;siddhas</em>, for instance, are deliberately drawn from every stratum of medieval Indian society: among them are kings and outcasts, brahmin priests and fishermen, courtesans and farmers.<a class="footnote-anchor" data-component-name="FootnoteAnchorToDOM" id="footnote-anchor-6" href="#footnote-6" target="_self">6</a>  Their diversity is itself a teaching &#8212; that the capacity for radical empowerment and liberation is not the exclusive preserve of the renunciant or the sage, but is latent in the full range of human circumstance. In this sense, the <em>siddha</em> tradition anticipates what the Jain enumeration makes explicit: that the &#8216;accomplished being&#8217; is not defined by the possession of extraordinary powers so much as by the complete actualization of faculties that, in their seed form, belong to everyone. Power, on this account, is not something acquired from without, but something uncovered from within &#8212; a recognition that will quietly underwrite everything that follows in this issue.</p><p><strong>III. WHAT ARE THE </strong><em><strong>SIDDHIS</strong></em><strong>? ETYMOLOGY, TAXONOMY, AND THE</strong></p><p><em><strong>YOGA-S&#362;TRA</strong></em></p><p>In the <em>Yoga-s&#363;tra</em>, psychic powers (or <em>siddhis</em>) are said to arise from <em>sa&#7745;yama</em> &#8211; the combined discipline of concentration (<em>dh&#257;ra&#7751;&#257;</em>), meditation (<em>dhy&#257;na</em>), and absorption (<em>sam&#257;dhi</em>).<a class="footnote-anchor" data-component-name="FootnoteAnchorToDOM" id="footnote-anchor-7" href="#footnote-7" target="_self">7</a> In the <em>bh&#257;&#7779;ya</em> (&#8216;commentary&#8217;) on <em>s&#363;tra</em> III.45, mastery over the gross and subtle elements (the <em>mah&#257;bh&#363;tas</em> and <em>tanmatras</em>, respectively), the three constitutive <em>gu&#7751;as</em> (elements of psycho-physical reality: <em>rajas</em>, <em>tamas</em>, <em>sattva</em>), and the <em>purposiveness</em> of objects &#8212; mastery over all these gives rise to (1) <em>a&#7751;im&#257;</em> (&#8216;the power to become microscopic&#8217;), (2) <em>mahim&#257;</em> (&#8216;the power to expand infinitely&#8217;), (3) <em>laghim&#257;</em> (&#8216;the power to become light or to levitate&#8217;), (4) <em>pr&#257;pti</em> (&#8216;the power to reach anywhere&#8217;), (5) <em>pr&#257;k&#257;mya </em>(&#8216;the freedom of will&#8217;), (6) <em>i&#347;it&#7771;tva</em> (&#8216;the power of creation), (7) <em>va&#347;itva </em>(&#8216;mastery over creation&#8217;), and (8) <em>k&#257;m&#257;vas&#257;yitva</em> (&#8216;the power of wish fulfillment&#8217;).<a class="footnote-anchor" data-component-name="FootnoteAnchorToDOM" id="footnote-anchor-8" href="#footnote-8" target="_self">8</a> This suggestion may seem at odds with the purported intent of the text itself as defined in I.2, which posits yoga as<em> citta-v&#7771;tti-nirodha&#7717; </em>(&#8220;Yoga is the cessation [<em>nirodha</em>] of the fluctuations [<em>v&#7771;tti</em>] of the mind [<em>citta</em>]&#8221;).<a class="footnote-anchor" data-component-name="FootnoteAnchorToDOM" id="footnote-anchor-9" href="#footnote-9" target="_self">9</a> Wouldn&#8217;t gaining powers, acquiring extraordinary knowledge, or expanding the range of perception amount to more fluctuations of the mind? Would these capacities not reinforce the egoic attachments that the <em>S&#363;tras</em> appear otherwise at pains to liberate yoga practitioners from?</p><p>A resolution of this apparent contradiction can be found in the text itself through a distinction made between the purposive orientation of <em>puru&#7779;a</em> outward toward <em>prak&#7771;ti</em> (i.e. other objects) and the puru&#7779;a&#8217;s &#8216;own-purpose&#8217; (<em>puru&#7779;&#257;rtha</em>) &#8211; entailing the isolation (<em>kaivalya</em>) of <em>puru&#7779;a</em> (&#8216;contentless consciousness&#8217;) from <em>prak&#7771;ti (&#8216;</em>psycho-physical matter&#8217;)<a class="footnote-anchor" data-component-name="FootnoteAnchorToDOM" id="footnote-anchor-10" href="#footnote-10" target="_self">10</a> by means of <em>sam&#257;dhi </em>(&#8216;absorption&#8217;). Within the former orientation toward &#8216;external&#8217; <em>prak&#7771;ti</em>, any object the <em>yogin</em> attends to will &#8216;subtlize&#8217; during the process of <em>sa&#7745;yama</em> and endow the <em>yogin</em> with the powers particular to that object.</p><p>For example, in III.24, meditating on the power of an elephant will permit the <em>yogin</em> access to &#8216;elephantine&#8217; strength. These powers are the inevitable attainment of &#8216;seeing&#8217; the objects in their <em>prak&#7771;tic</em> nature &#8211; first as gross, then subtle, then &#8216;concealed,&#8217; and finally as their &#8216;distant&#8217; properties.<a class="footnote-anchor" data-component-name="FootnoteAnchorToDOM" id="footnote-anchor-11" href="#footnote-11" target="_self">11</a> In III.37, however, the <em>siddhis</em> are stated to be obstacles to <em>sam&#257;dhi </em>even though their attainment is both spontaneous and natural to the process. &#8220;These are obstacles (<em>upasarg&#257;&#7717;</em>) to <em>sam&#257;dhi</em>, though they appear as attainments (<em>siddhaya&#7717;</em>) in the outward-turned state&#8221; (<em>te sam&#257;dh&#257;v-upasarg&#257; vyutth&#257;ne siddhaya&#7717;</em>).<a class="footnote-anchor" data-component-name="FootnoteAnchorToDOM" id="footnote-anchor-12" href="#footnote-12" target="_self">12</a> Arriving in the third chapter (<em>p&#257;da</em>) of the <em>yoga-s&#363;tra</em> (the <em>vibh&#363;ti-p&#257;da</em>), discussion of the <em>siddhis </em>is situated between the first two chapters (the <em>sam&#257;dhi-p&#257;da </em>and <em>s&#257;dhana-p&#257;da</em>) that emphasize the disciplines of practice, and the fourth chapter focusing on liberation.<a class="footnote-anchor" data-component-name="FootnoteAnchorToDOM" id="footnote-anchor-13" href="#footnote-13" target="_self">13</a> The powers and faculties that arise as a result of practice could be considered intermediate achievements that have the ability to distract the practitioner from ultimately accomplishing the deeper aims of yogic <em>s&#257;dhana</em>. The side effects of practicing deeply include greatly enhanced sensory powers<a class="footnote-anchor" data-component-name="FootnoteAnchorToDOM" id="footnote-anchor-14" href="#footnote-14" target="_self">14</a> that, among other things, might reveal dimensional beings (i.e. various <em>devas</em> and <em>asuras</em>) who deflect the <em>yogin</em> away from their ultimate resolution in the Self.<a class="footnote-anchor" data-component-name="FootnoteAnchorToDOM" id="footnote-anchor-15" href="#footnote-15" target="_self">15</a> In other words, the popular adage &#8216;power corrupts&#8217;<a class="footnote-anchor" data-component-name="FootnoteAnchorToDOM" id="footnote-anchor-16" href="#footnote-16" target="_self">16</a> may apply equally to those engaged in the meditative practices of the classical yoga tradition &#8211; a consideration somewhat at odds with the ethical precepts of the<em> yoga-s&#363;tra&#8217;s</em> second <em>p&#257;da </em>and with the popular characterization of the <em>yogin</em> as an ethical and moral agent in the world.</p><p>The <em>siddhis</em>, in modern parlance, are often quaintly referred to as &#8216;yogic superpowers,&#8217;<a class="footnote-anchor" data-component-name="FootnoteAnchorToDOM" id="footnote-anchor-17" href="#footnote-17" target="_self">17</a> but this translation is not without its share of problems. In the modern secular-materialist imagination, &#8216;superpowers&#8217; are often associated with the cultural archetype of the &#8216;superhero;&#8217; to the layperson, superheroes are the stuff of Hollywood fantasy and cultural mythology. Perhaps for this reason, the <em>vibh&#363;ti-p&#257;da</em> is often skimmed over (or skipped over entirely) in the yoga philosophy modules of modern postural yoga teacher trainings.<a class="footnote-anchor" data-component-name="FootnoteAnchorToDOM" id="footnote-anchor-18" href="#footnote-18" target="_self">18</a> As the chapter that most strongly contradicts our modern assumptions about reality, the <em>vibh&#363;ti-p&#257;da</em> challenges certain preconceived notions regarding what is and is not attainable through yogic practices. For the modern yoga teacher trainer, to suggest that, for example, levitation, telepathy, and the ability to make yourself gigantic will come with sustained practice may feel pedagogically  irresponsible &#8211; indulging in &#8216;delusions of grandeur&#8217; that are out of step with the more mundane goals of self-improvement and the moral and ethical instincts that define much of the modern postural yoga world&#8217;s self-understanding.</p><p>However, if instead of &#8216;yogic superpowers,&#8217; we translate <em>siddhi </em>in a manner more proximate to its Sanskrit etymology &#8211; deriving from the root <em>&#8730;sidh</em>, which means &#8216;to succeed,&#8217; &#8216;to accomplish,&#8217; &#8216;to attain,&#8217; &#8216;to prove,&#8217; &#8216;to be established,&#8217; or &#8216;to be effective&#8217; &#8211; we arrive at a translation of <em>siddhi</em> as &#8216;accomplishment,&#8217; &#8216;success,&#8217; &#8216;attainment,&#8217; &#8216;fulfillment,&#8217; or &#8216;establishment.&#8217; Suddenly, a subtler and perhaps more accessible understanding reveals itself. Rather than reject the idea of <em>siddhis</em> based on specific &#8216;attainments&#8217; we may find difficult to imagine possible, we can preserve a more modest view that the emergence of new or refined faculties of perception, skills, capacities, and interests are the natural byproducts of many trajectories of contemplative practice, and these fruits are themselves <em>siddhis</em> &#8211; commonly and pervasively attested to by many who take up a path of deep <em>s&#257;dhana</em>.</p><p>It is perhaps for this reason that the <em>yamas</em> and <em>niyamas</em> (ethical &#8216;observances&#8217; and &#8216;commitments&#8217;) are included as the first two auxiliaries of the famous &#8216;eight-limbed&#8217; (<em>a&#7779;&#7789;&#257;nga</em>) system of classical yoga &#8211; to avoid the temptation toward the unethical behaviors of what David Gordon White traces in his provocative historical account, <em>Sinister Yogis</em>.<a class="footnote-anchor" data-component-name="FootnoteAnchorToDOM" id="footnote-anchor-19" href="#footnote-19" target="_self">19</a> Without cultivating an ethical disposition that could channel the inevitable accumulation of subtle empowerments towards liberation, classical yoga can become little more than an introversive process of self-aggrandizement and power-hoarding.<a class="footnote-anchor" data-component-name="FootnoteAnchorToDOM" id="footnote-anchor-20" href="#footnote-20" target="_self">20</a></p><p>In other words, practice is neutral: it can attract us toward the seductively subtle worlds we encounter within, or it can be directed toward liberation. Being a meditator doesn&#8217;t automatically make you a better person. In fact, as we&#8217;ve suggested, indulging in its various fruits can be seductive, and &#8211; as with any source of power &#8211; what arises from it can be harnessed for either ethical or immoral aims.</p><div><hr></div><h4><strong>Thank you for reading.</strong></h4><h4><strong>To read the rest of the introduction and many other articles and essays, purchase </strong><em><strong>On Power </strong></em><strong>in print or digital from the <a href="https://www.tarkajournal.com/store">Tarka Journal bookstore.</a></strong></h4><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://www.tarkajournal.com/store" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" 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class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg" class="icon-noB79L"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image buttonBase-GK1x3M"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2 icon-noB79L"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p><strong>About the editors:</strong></p><p><strong>Stephanie Corigliano, PhD,</strong> is editor of Tarka and lecturer in the Department of History and Religious Studies and Cal Poly Humboldt in Northern California. She is a practitioner of Ashtanga Yoga and member of the Tibetan Buddhist Sangha at Gomde, California. She also serves as Vice-chair of the Dharma Academy of North America.<br><br><strong>Jacob Kyle, MPhil,</strong> is a meditation teacher, writer, philosophy educator, and the Founding Director of Embodied Philosophy. He is a doctoral candidate at the University of Oxford, where he researches the Pratyabhij&#241;&#257; philosophical tradition under the supervision of Diwakar Acharya and Monima Chadha. He holds an MPhil in Classical Indian Religions from Oxford (2023), an MA in Philosophy from the New School for Social Research (2017), and an MSc in Political Theory from the London School of Economics (2007). A student of Kashmir &#346;aivism schol ar-practitioner Paul Muller-Ortega, Jacob is a devoted practitioner of the &#346;aiva-&#346;&#257;kta Dar&#347;ana. He writes overly pedantic essays on the divine, yoga, philosophy, politics, and the dysfunctional relationship between scholarship and mysticism at <a href="http://jacobkyle.com">jacobkyle.com</a></p><h4>Footnotes</h4><div class="footnote" data-component-name="FootnoteToDOM"><a id="footnote-1" href="#footnote-anchor-1" class="footnote-number" contenteditable="false" target="_self">1</a><div class="footnote-content"><p>See Wendy Doniger O&#8217;Flaherty, <em>The Rig Veda: An Anthology</em>. London: Penguin Classics (1981: 25&#8211;26). For the cosmological role of tapas in Vedic creation mythology, see also Jan Gonda, <em>Vedic Literature: Sa&#7747;hit&#257;s and Br&#257;hma&#7751;as, A History of Indian Literature</em>, Vol. I. Wiesbaden: Otto Harrassowitz (1975: 345&#8211;347).</p></div></div><div class="footnote" data-component-name="FootnoteToDOM"><a id="footnote-2" href="#footnote-anchor-2" class="footnote-number" contenteditable="false" target="_self">2</a><div class="footnote-content"><p>See Keva&#7789;&#7789;a Sutta (D&#299;gha Nik&#257;ya 11), in The Long Discourses of the Buddha: A Translation of the D&#299;gha Nik&#257;ya, trans. Maurice Walshe (Somerville, MA: Wisdom Publications, 1995), pp. 175&#8211;180. In this sutta the Buddha explicitly declines to instruct monks in the perfor mance of miracles, arguing that a layperson witnessing such displays might attribute them to trickery rather than genuine attainment, and that the display of powers is therefore an obstacle to &#8212; rather than an expression of &#8212; the contemplative path. </p></div></div><div class="footnote" data-component-name="FootnoteToDOM"><a id="footnote-3" href="#footnote-anchor-3" class="footnote-number" contenteditable="false" target="_self">3</a><div class="footnote-content"><p>The Holy Bible, English Standard Version (Wheaton, IL: Crossway, 2001), Luke 12:33.</p></div></div><div class="footnote" data-component-name="FootnoteToDOM"><a id="footnote-4" href="#footnote-anchor-4" class="footnote-number" contenteditable="false" target="_self">4</a><div class="footnote-content"><p>See David Gordon White, The Alchemical Body: Siddha Traditions in Medieval India (Chicago: University of Chicago Press, 1996), pp. 89&#8211;97. See also George Weston Briggs, Gorakhnath and the Kanphata Yogis. Delhi: Motilal Banarsidass (1938; repr. 1982: 13&#8211;19) for the foundational account of Matsyendran&#257;tha&#8217;s role in establishing the N&#257;tha lineage and his relationship to Gorak&#7779;an&#257;tha.</p></div></div><div class="footnote" data-component-name="FootnoteToDOM"><a id="footnote-5" href="#footnote-anchor-5" class="footnote-number" contenteditable="false" target="_self">5</a><div class="footnote-content"><p>See Um&#257;sv&#257;ti, Tattv&#257;rtha S&#363;tra X.7, in That Which Is: Tattv&#257;rtha S&#363;tra, trans. Nathmal Tatia. San Francisco: HarperCollins (1994: 257). For a detailed discussion, see also Padmanabh S. Jaini, The Jaina Path of Purification. Berkeley: University of California Press (1979: 271&#8211;274).</p></div></div><div class="footnote" data-component-name="FootnoteToDOM"><a id="footnote-6" href="#footnote-anchor-6" class="footnote-number" contenteditable="false" target="_self">6</a><div class="footnote-content"><p>See Keith Dowman, Masters of Mahamudra: Songs and Histories of the Eighty-Four Buddhist Siddhas. Albany, NY: SUNY Press (1985). See also Robert Beer, The Handbook of Tibetan Buddhist Symbols. Chicago: Serindia Publications (2003: 229&#8211;231), for a concise overview of the social diversity of the mah&#257;siddha canon.</p></div></div><div class="footnote" data-component-name="FootnoteToDOM"><a id="footnote-7" href="#footnote-anchor-7" class="footnote-number" contenteditable="false" target="_self">7</a><div class="footnote-content"><p>S&#363;tra III.4: &#8220;When these three &#8212; concentration (dhara&#7751;a), meditation (dhy&#257;na) and absorption (sam&#257;dhi) &#8212; are brought to bear on one subject, they are called sa&#7745;yama&#8221; (Prabhananda, 1953: 124).</p></div></div><div class="footnote" data-component-name="FootnoteToDOM"><a id="footnote-8" href="#footnote-anchor-8" class="footnote-number" contenteditable="false" target="_self">8</a><div class="footnote-content"><p>S&#363;tra III:44-50: &#8220;Through constraint on the course, the own-form, the subtle, the connectedness and the purposiveness [of objects] [the yogin gains] mastery over the el ements. Thence [results] the manifestation [of the powers], such atomisation et cetera, perfection of the body and the indestructibility of its constituents. Through constraint on the process-of-perfection, the own-form, I-am-ness, connectedness and purposive ness [he gains] mastery over the sense-organs. Thence [comes about] fleetness [as of the] mind, the state lacking sense-organs and the mastery over the matrix [of Nature]. [The yogin who has] merely the vision of the distinction between the Self and the sattva [of consciousness] [gains] supremacy over all states [of existence] and omniscience. Through dispassion towards even this [exalted vision], with the dwindling of the seeds of the defects [he achieves] the aloneness [of the power of seeing]&#8221; (Feuerstein, 1979; pg. 117-120).</p></div></div><div class="footnote" data-component-name="FootnoteToDOM"><a id="footnote-9" href="#footnote-anchor-9" class="footnote-number" contenteditable="false" target="_self">9</a><div class="footnote-content"><p>See Prabhananda (1953, pg. 1), where he translates I.2 as &#8220;Yoga is the control of thought-waves in the mind.&#8221;</p></div></div><div class="footnote" data-component-name="FootnoteToDOM"><a id="footnote-10" href="#footnote-anchor-10" class="footnote-number" contenteditable="false" target="_self">10</a><div class="footnote-content"><p>Kaivalya signifies the liberation of puru&#7779;a (&#8216;pure, individuated consciousness&#8217;) from prak&#7771;ti (&#8216;psycho-material nature&#8217;).See S&#257;&#7745;khya-k&#257;rik&#257; LXV (Trans: Larson): &#8220;Then, the puru&#7779;a, comfortably situated like a spectator, sees prak&#7771;ti whose activity has ceased due to the completion of her purpose, and who has turned back from the seven forms (r&#363;pa or bh&#257;va).&#8221;</p></div></div><div class="footnote" data-component-name="FootnoteToDOM"><a id="footnote-11" href="#footnote-anchor-11" class="footnote-number" contenteditable="false" target="_self">11</a><div class="footnote-content"><p>See III.25 (Trans. Feuerstein): &#8220;By focusing on the flashing-forth of [those mental] ac tivities [which are sorrowless and illuminating] [on any object] knowledge of the subtle, concealed and distant [aspects of those objects] [is gained].&#8221;</p></div></div><div class="footnote" data-component-name="FootnoteToDOM"><a id="footnote-12" href="#footnote-anchor-12" class="footnote-number" contenteditable="false" target="_self">12</a><div class="footnote-content"><p>See Feuerstein, pg. 113.</p></div></div><div class="footnote" data-component-name="FootnoteToDOM"><a id="footnote-13" href="#footnote-anchor-13" class="footnote-number" contenteditable="false" target="_self">13</a><div class="footnote-content"><p>The first p&#257;da is the Sam&#257;dhi-p&#257;da (the &#8216;chapter on absorption&#8217;), the second is S&#257;dhana-p&#257;da (the &#8216;chapter on practice&#8217;), the third the afore-mentioned Vibh&#363;ti-p&#257;da (the &#8216;chapter on sovereign powers&#8217;), and the fourth is the Kaivalya-p&#257;da (the &#8216;chapter on the unity of isolation&#8217;).</p></div></div><div class="footnote" data-component-name="FootnoteToDOM"><a id="footnote-14" href="#footnote-anchor-14" class="footnote-number" contenteditable="false" target="_self">14</a><div class="footnote-content"><p>Feuerstein, pg. 113. 15.</p></div></div><div class="footnote" data-component-name="FootnoteToDOM"><a id="footnote-15" href="#footnote-anchor-15" class="footnote-number" contenteditable="false" target="_self">15</a><div class="footnote-content"><p>See III.51 (Feuerstein, pg. 122): sth&#257;ny-upanimantra&#7751;e sa&#7749;ga-smaya-akara&#7751;a&#7747; punar ani&#7779;&#7789;a-prasa&#7749;g&#257;t. &#8220;Upon the invitation of high-placed [beings], [he should give himself] no cause for attachment or pride, because of the renewed and undesired inclination [for lower levels of existence].&#8221;</p></div></div><div class="footnote" data-component-name="FootnoteToDOM"><a id="footnote-16" href="#footnote-anchor-16" class="footnote-number" contenteditable="false" target="_self">16</a><div class="footnote-content"><p>The famous statement, &#8220;Power tends to corrupt, and absolute power corrupts ab solutely. Great men are almost always bad men,&#8221; is attributed to John Emerich Edward Dalberg-Acton, 1st Baron Acton, letter to Bishop Mandell Creighton, April 5, 1888, in His torical Essays and Studies, ed. John Neville Figgis and Reginald Vere Laurence (London: Macmillan, 1907), p. 504.</p></div></div><div class="footnote" data-component-name="FootnoteToDOM"><a id="footnote-17" href="#footnote-anchor-17" class="footnote-number" contenteditable="false" target="_self">17</a><div class="footnote-content"><p>Edwin Bryant, for example, titles the Vibh&#363;ti-p&#257;da as the &#8220;Mystic Powers&#8221; chapter. While not an inaccurate description, from the perspective of the classical s&#257;&#7747;khya-yoga metaphysics, these attainments follow from an inherent logic of how reality manifests for the conscious agent. To refer to these powers as &#8216;mystic&#8217; already, then, endorses a worldview animated by a materialist metaphysics.</p></div></div><div class="footnote" data-component-name="FootnoteToDOM"><a id="footnote-18" href="#footnote-anchor-18" class="footnote-number" contenteditable="false" target="_self">18</a><div class="footnote-content"><p>Mark Singleton, in his ground-breaking (but often maligned book) Yoga Body: The Origins of Modern Posture Practice (2010), discusses how modern yoga curricula prioritise different elements of traditional systems and how classical texts are often abridged, simplified, or selectively taught (e.g., with an emphasis on Sam&#257;dhi-p&#257;da and S&#257;dhan&#257;-p&#257;da, less on Vibh&#363;ti-p&#257;da).</p></div></div><div class="footnote" data-component-name="FootnoteToDOM"><a id="footnote-19" href="#footnote-anchor-19" class="footnote-number" contenteditable="false" target="_self">19</a><div class="footnote-content"><p>David Gordon White, Sinister Yogis (Chicago: University of Chicago Press, 2009).</p></div></div><div class="footnote" data-component-name="FootnoteToDOM"><a id="footnote-20" href="#footnote-anchor-20" class="footnote-number" contenteditable="false" target="_self">20</a><div class="footnote-content"><p>This interpretation &#8212; that the ethical limbs of a&#7779;&#7789;&#257;nga-yoga function specifically as a prophylactic against the corruption attendant on the accumulation of subtle powers &#8212; is supported by Georg Feuerstein&#8217;s reading in The Yoga Tradition: Its History, Literature, Philosophy and Practice (Prescott, AZ: Hohm Press, 1998), pp. 271&#8211;275, where he argues that the yamas and niyamas provide the moral foundation without which the fruits of advanced practice become spiritually dangerous. It is worth noting, however, that this interpretation is not universal. Many classical commentators, including Vy&#257;sa in his Yoga-Bh&#257;&#7779;ya, treat the yamas and niyamas primarily as purificatory practices that stabilize the mind for deeper concentration, rather than as ethical safeguards against the misuse of power per se. For this alternative reading, see Edwin Bryant, The Yoga S&#363;tras of Pata&#241;jali: A New Edition, Translation, and Commentary (New York: North Point Press, 2009), pp. 254&#8211;261. The tension between these two readings is itself instructive &#8212; pointing to a broader ambiguity in the classical tradition regarding whether ethics in yoga is intrinsically motivated or instrumentally necessary.</p><p></p></div></div>]]></content:encoded></item><item><title><![CDATA[Two Approaches to Truth]]></title><description><![CDATA[By Zo&#235; Slatoff, from Tarka Vol. 0, On the Scholar Practitioner]]></description><link>https://read.tarkajournal.com/p/two-approaches-to-truth-168</link><guid isPermaLink="false">https://read.tarkajournal.com/p/two-approaches-to-truth-168</guid><pubDate>Thu, 23 Jul 2026 16:57:01 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!wSKM!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb774213c-b466-4d15-9262-c85175f98f7b_848x400.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2 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class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg" class="icon-noB79L"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image buttonBase-GK1x3M"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2 icon-noB79L"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p>I have been thinking a lot lately about where I would be without practice. When our world is turned upside down, how far can scholarship take us? In times of uncertainty, it is practicing yoga that gives me a sense of stability and calm and connects me to my breath. That connection deepened on my first trip to India twenty years ago, when I began to learn Sanskrit. I fell in love with its sounds and the depths of meaning they conveyed. For me, the study of yoga philosophy has always been practical, from chanting verses to translating texts for my PhD. What inspires me is the link between ideas and a living tradition, in which I participate as a practitioner. As a scholar, I can also see the value of critical distance, but I don&#8217;t enjoy pulling things to pieces for the sake of it. Without practice, the deductive nature of scholarship can lead us to essentially miss the point of tradition by focusing on individual pieces and losing sight of the big picture.</p><p>Though Sanskrit is often called a dead language, the ideas embodied in its texts help to make sense of this in a vibrant, dynamic way. Modern scholars can get so caught up in details that we miss what happens in the natural process of transmission and invalidate the stories by which the tradition understands itself. This can drown out the deeper truths we are attempting to discuss. There is often an overemphasis on <em>satya</em>, which is a more particular truth, as opposed to <em>&#7771;ta</em>, divine truth. The latter &#8211; which is of more interest to practitioners &#8211; transcends the fine points that scholars like to debate.</p><div><hr></div><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://read.tarkajournal.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">Tarka is a reader-supported journal of yoga philosophy and contemplative studies. Subscribe to receive weekly articles and educational resources.</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><div><hr></div>
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   ]]></content:encoded></item><item><title><![CDATA[Beyond the Binary]]></title><description><![CDATA[From Tarka Vol. 5, On Queer Dharma, by Marie Cartier]]></description><link>https://read.tarkajournal.com/p/beyond-the-binary</link><guid isPermaLink="false">https://read.tarkajournal.com/p/beyond-the-binary</guid><pubDate>Mon, 20 Jul 2026 16:18:25 GMT</pubDate><enclosure url="https://images.unsplash.com/photo-1728290007888-8ff9502b084a?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHw0MXx8cXVlZXJ8ZW58MHx8fHwxNzgzNTk3NzYyfDA&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080" length="0" type="image/jpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://images.unsplash.com/photo-1728290007888-8ff9502b084a?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHw0MXx8cXVlZXJ8ZW58MHx8fHwxNzgzNTk3NzYyfDA&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://images.unsplash.com/photo-1728290007888-8ff9502b084a?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHw0MXx8cXVlZXJ8ZW58MHx8fHwxNzgzNTk3NzYyfDA&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080 424w, https://images.unsplash.com/photo-1728290007888-8ff9502b084a?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHw0MXx8cXVlZXJ8ZW58MHx8fHwxNzgzNTk3NzYyfDA&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080 848w, https://images.unsplash.com/photo-1728290007888-8ff9502b084a?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHw0MXx8cXVlZXJ8ZW58MHx8fHwxNzgzNTk3NzYyfDA&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080 1272w, https://images.unsplash.com/photo-1728290007888-8ff9502b084a?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHw0MXx8cXVlZXJ8ZW58MHx8fHwxNzgzNTk3NzYyfDA&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080 1456w" sizes="100vw"><img src="https://images.unsplash.com/photo-1728290007888-8ff9502b084a?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHw0MXx8cXVlZXJ8ZW58MHx8fHwxNzgzNTk3NzYyfDA&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080" width="6960" height="4640" data-attrs="{&quot;src&quot;:&quot;https://images.unsplash.com/photo-1728290007888-8ff9502b084a?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHw0MXx8cXVlZXJ8ZW58MHx8fHwxNzgzNTk3NzYyfDA&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:4640,&quot;width&quot;:6960,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:null,&quot;alt&quot;:&quot;A bunch of buttons with different symbols on them&quot;,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="A bunch of buttons with different symbols on them" title="A bunch of buttons with different symbols on them" srcset="https://images.unsplash.com/photo-1728290007888-8ff9502b084a?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHw0MXx8cXVlZXJ8ZW58MHx8fHwxNzgzNTk3NzYyfDA&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080 424w, https://images.unsplash.com/photo-1728290007888-8ff9502b084a?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHw0MXx8cXVlZXJ8ZW58MHx8fHwxNzgzNTk3NzYyfDA&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080 848w, https://images.unsplash.com/photo-1728290007888-8ff9502b084a?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHw0MXx8cXVlZXJ8ZW58MHx8fHwxNzgzNTk3NzYyfDA&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080 1272w, https://images.unsplash.com/photo-1728290007888-8ff9502b084a?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHw0MXx8cXVlZXJ8ZW58MHx8fHwxNzgzNTk3NzYyfDA&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg" class="icon-noB79L"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image buttonBase-GK1x3M"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2 icon-noB79L"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a><figcaption class="image-caption">Photo by <a href="https://unsplash.com/@jccards">Marek Studzinski</a> on <a href="https://unsplash.com">Unsplash</a></figcaption></figure></div><p>Queer theory is a theoretical tool which by definition creates a more accurate <em>place of being</em> for individuals.</p><p>Let me begin this brief essay with two examples that took place within various spiritual gatherings, in which a utilization of queer theory was absent, and in which its presence would have helped immensely to do just that: create <em>a place of being</em> for myself and those I was with.</p><h3><strong>Example 1</strong></h3><p>It was the mid-2000s. I was in a pagan witchy circle, preparing for spring equinox. I had never been in that particular group, but I had been, at that point in my life, in what I thought were similar groups. Everyone was, on appearance, laid back &#8211; dressed in spring finery with flowers in their hair, or elaborate braids, or even sporting horns ala the Renaissance Faire, wearing poet shirts, or flowing skirts, wild curls or spiky colored hair, and an abundance of silver jewelry with moons and fairies, or other magical creatures were in abundance. We were a multi-cultural group of different ages and sizes. It was Southern California and what I deemed a typical gathering of pagan practitioners. I was with my then girlfriend; we had traveled to this particular ritual because it was an outdoor sunset ritual, advertised as &#8220;all are welcome.&#8221;</p><p>My former girlfriend today would be called trans-masculine, or maybe gender queer. She called herself butch at that time or as she termed it, &#8220;raised by wolves,&#8221; in that she brought herself up into LGBTQ+ life in gay bars and was raised by gay men. I, on the other hand, was brought up in lesbian-feminism, feminist bookstores, women&#8217;s liberation&#8212;and also in gay bars.</p><p>So, we were at this ritual. The facilitator asked that we move in to stand shoulder to shoulder creating the circle with our pagan peers, which we did. We were excited by this new group and the beautiful pink and orange sky blooming around us.</p><p>Then the facilitator came over and put his hands on my girlfriend&#8217;s shoulders and moved her away from me to position her between what he deemed as obvious men. He said to her, &#8220;We put the circle together man-woman. You know, <em>boy-girl</em>.&#8221; She stared at him and stepped out of the circle. I had been blessed to never be in a circle that did this before, but I now know this can be common.</p><p>He said, &#8220;We have to balance the energies, by placing ourselves in a balance of masculine and feminine.&#8221;</p><p>My girlfriend said, &#8220;I have masculine energy.&#8221;</p><p>He said, &#8220;But you are a woman and we need to balance the energy.&#8221; Today that former girlfriend is going through a gender-questioning phase and is not sure where they will land. But at that time, she was clearly identifying as, while biologically female, undeniably masculine&#8212;gender queer. She did not feel comfortable being forced to be placed in the &#8220;girl&#8221; position, of the required boy-girl placement of the circle.</p><p>Eventually the facilitator &#8220;allowed&#8221; her to place herself between two self-identified women&#8212;but it was extremely uncomfortable for us in what we had assumed would be an accepting group of pagans. We did not feel the renewal of what a spring equinox celebrates. And we never went back to that gathering.</p><h3><strong>Example 2</strong></h3><p>About five years past the previous example, I was completing a 500-hour yoga training. We were studying traditional Eastern texts, looking at the sutras, and one of my teachers began to talk about gender. There was much written about balancing masculine and feminine, she said, that we must study. She said we all must have this balance in order to be truly enlightened. This was an attitude that was referenced in the yogic literature, and she pointed to it in our study circle. She looked at me and told me that I would not be able to achieve <em>true</em> enlightenment as I was partnered with a woman and my life was therefore unbalanced. However, she added that I should not worry about this, as &#8220;many people are gay.&#8221;</p><p>&#8220;If you were heterosexual, your life would be more balanced and you would be in a better place to achieve enlightenment,&#8221; she shrugged as if I had to accept my lot as &#8220;less enlightened.&#8221; I had several instructors during my training and I chose to tune out this particular instructor the times I had sessions with her.</p><p>This was not true of all experiences I had where gender and balancing the masculine and feminine was requested. For example, in a Tantra workshop, I experienced the freest expression where the facilitator immediately recognized the masculinity of my girlfriend, now wife, and partnered us as masculine and feminine according to our gender choices, not her perceptions. However, the balancing of one of us identifying as masculine and one feminine was still required.</p><p>A recent meme on social media celebrating Transgender Remembrance Day states, &#8220;A friendly reminder that you don&#8217;t need to understand the nuances of gender identity to know that each individual person knows who they are better than you ever will.&#8221;</p><p>And what follows is a final example, but not from a spiritual gathering, but a somewhat secular one, at least for me.</p><div><hr></div><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://read.tarkajournal.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">Tarka is a reader-supported journal of yoga philosophy and contemplative studies. Subscribe to receive weekly articles and educational resources.</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><div><hr></div><p>In 2012, my future wife and I signed up for ballroom dancing. When we got there, we discovered it was offered by a Bible school and all of the participants were Christians. <em>How did we miss that before we signed up?</em> However, we had paid for the course and I said, &#8220;Let&#8217;s see if we can make this work.&#8221; When the instructor asked us to partner up, I looked at my masculine-identified girlfriend and shrugged.</p><p>She took the position of the &#8220;man&#8221; and we start dancing, switching dance partners throughout the two-hour course. No one questioned us in that Christian circle and we completed the course, with a few laughs, everyone getting used to everyone else. We participated in every class without any discussion of the need to &#8220;balance energies.&#8221;</p><p>I bring up this last example because, in my experience, queerness and spiritual practice have been plagued with this need to &#8220;balance&#8221; energies, much more in what I assumed would be accepting spiritual geographies, than in this, what I assumed would be the conservative geography of the Christian ballroom class.</p><p>Why we should care about queer theory is that it gives all of us a tool through which we can allow individuals to create their own place of being, and help all involved to allow space for that creation.</p><p>In contemporary parlance, we are beginning to see the idea that balance can be contained in the person themselves, and that gender balance does not need to be explicated in an outside partnership, or as my initial story suggested &#8220;boy-girl.&#8221;</p><div class="pullquote"><p style="text-align: center;">&#8220;In contemporary parlance, we are beginning to see the idea that balance can be contained in the person themselves, and that gender balance does not need to be explicated in an outside partnership, or as my initial story suggested &#8216;boy-girl.&#8217;&#8221;</p></div><p>Queer theory in practice gives us, as LGBTQ+ people, a theoretical position from which we can counter discriminatory gender narratives, such as those explicated above. Queer theory allows us to put forward the idea that gender is <em>unique</em> to the individual. Spiritual seekers may need to understand these basic tenets, perhaps more than others, because we believe ourselves already <em>to be</em> enlightened, that our rules, including this long-held idea of &#8220;gender balance&#8221; to be revelatory and embedded in sacred texts.</p><p>A hermeneutical examination of &#8220;gender-balance&#8221; within for example the Yoga Sutras may result in the idea that balance is within the self, and does not involve traditional, conservative ideas of who holds <em>the right</em> to masculinity and femininity. LGTBTQ+ people do not live their lives in service to biological determinism, a life determined by biology. Masculinity and femininity are not owned by biologically designated born males and females. For example, intersex beings exist at birth subverting the entire idea of a foresworn masculine/male and feminine/female created by nature.</p><p>What is masculine and who gets to be it? What is feminine and who gets to be it? How can we choose to be neither masculine nor feminine but somewhere in between? For example, non-binary people may position themselves currently as &#8220;they,&#8221; without both feet in either gender home, neither pink nor blue. Within the ever-expanding gender narrative that is the rainbow of gender identity, there is a <em>place of being</em> for all.</p><p>This is the joyous exploration of an embodied life that traverses gender narratives with a basis in queer theory.</p><div><hr></div><h4><strong>Thank you for reading this article from Tarka Vol. 5, </strong><em><strong><a href="https://www.tarkajournal.com/store/p/on-queer-dharma">On Queer Dharma. </a></strong></em></h4><h4><strong>Vol. 9,</strong><em><strong> On Power, </strong></em><strong>will be coming out soon.</strong></h4><h4><strong>Explore the Print and/or Digital Issues of </strong><em><strong>Tarka Journal</strong></em><strong> in our <a href="https://www.tarkajournal.com/store">online shop</a>.</strong></h4><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://www.tarkajournal.com/store/p/on-queer-dharma" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!hTWE!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F1f4bb77b-9caa-49e2-9b6b-a50b62b4b3f6_1362x934.webp 424w, https://substackcdn.com/image/fetch/$s_!hTWE!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F1f4bb77b-9caa-49e2-9b6b-a50b62b4b3f6_1362x934.webp 848w, https://substackcdn.com/image/fetch/$s_!hTWE!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F1f4bb77b-9caa-49e2-9b6b-a50b62b4b3f6_1362x934.webp 1272w, https://substackcdn.com/image/fetch/$s_!hTWE!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F1f4bb77b-9caa-49e2-9b6b-a50b62b4b3f6_1362x934.webp 1456w" sizes="100vw"><img 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url="https://substackcdn.com/image/fetch/$s_!0Ttj!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4434e88d-8573-428e-bd25-18b231808bc6_1510x800.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!0Ttj!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4434e88d-8573-428e-bd25-18b231808bc6_1510x800.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!0Ttj!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4434e88d-8573-428e-bd25-18b231808bc6_1510x800.jpeg 424w, https://substackcdn.com/image/fetch/$s_!0Ttj!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4434e88d-8573-428e-bd25-18b231808bc6_1510x800.jpeg 848w, https://substackcdn.com/image/fetch/$s_!0Ttj!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4434e88d-8573-428e-bd25-18b231808bc6_1510x800.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!0Ttj!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4434e88d-8573-428e-bd25-18b231808bc6_1510x800.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!0Ttj!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4434e88d-8573-428e-bd25-18b231808bc6_1510x800.jpeg" width="1456" height="771" 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srcset="https://substackcdn.com/image/fetch/$s_!0Ttj!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4434e88d-8573-428e-bd25-18b231808bc6_1510x800.jpeg 424w, https://substackcdn.com/image/fetch/$s_!0Ttj!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4434e88d-8573-428e-bd25-18b231808bc6_1510x800.jpeg 848w, https://substackcdn.com/image/fetch/$s_!0Ttj!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4434e88d-8573-428e-bd25-18b231808bc6_1510x800.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!0Ttj!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4434e88d-8573-428e-bd25-18b231808bc6_1510x800.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg" class="icon-noB79L"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image buttonBase-GK1x3M"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2 icon-noB79L"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><h3><em><strong>Bhakti</strong></em><strong> Yoga: A Personal Relationship with the Divine</strong></h3><blockquote><p>&#8220;The nature of spiritual devotion is the supreme love.&#8221; &#8211; N&#257;rada Bhakti S&#363;tras<a class="footnote-anchor" data-component-name="FootnoteAnchorToDOM" id="footnote-anchor-1" href="#footnote-1" target="_self">1</a></p></blockquote><p>An endearing aspect of the devotional (<em>bhakti</em>) yogic path is the cultivation of an intimate and personal relationship with one&#8217;s chosen deity (<em>i&#7779;&#7789;a devat&#257;</em>). In contrast to other yogic paths that focus on ritual, austerity, or meditation, the <em>bhakti</em> path utilizes the power of our emotions as part of the foundation of this spiritual relationship. The flames of longing for union are intentionally stoked to melt old emotional attachments and forge a new identity in relationship to the divine. A completely immersive and personal love of a divine &#8220;other&#8221; is utilized to redirect awareness from the miserable isolation of individual ego-identity to an expansive state of unity with the divine Beloved. In a systematic way, the devotee&#8217;s tremendous love is shifted from personal to universal until the Beloved is seen in all phenomena, as all beings, and in every experience.</p><div><hr></div><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://read.tarkajournal.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">Tarka is a reader-supported journal of yoga philosophy and contemplative studies. 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   ]]></content:encoded></item><item><title><![CDATA[Kṛṣṇa Bhakti Iconography]]></title><description><![CDATA[From Tarka Vol. 1, On Bhakti.]]></description><link>https://read.tarkajournal.com/p/krsna-bhakti-iconography</link><guid isPermaLink="false">https://read.tarkajournal.com/p/krsna-bhakti-iconography</guid><pubDate>Tue, 14 Jul 2026 15:01:55 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!PSGG!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F6ffcf291-11c2-4d71-be67-aca07f413766_1536x960.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!PSGG!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F6ffcf291-11c2-4d71-be67-aca07f413766_1536x960.jpeg" 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class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg" class="icon-noB79L"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image buttonBase-GK1x3M"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2 icon-noB79L"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a><figcaption class="image-caption">Images and text from Ekabhumi Charles Ellik. Previously published by Sounds True in <em>The Bhakti Coloring Book</em> (2018) and <em>The Shakti Coloring Book</em> (2015)</figcaption></figure></div><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!eARn!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff15eaed6-cd75-4fec-94f2-19dbafe55ee1_1024x983.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!eARn!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff15eaed6-cd75-4fec-94f2-19dbafe55ee1_1024x983.png 424w, https://substackcdn.com/image/fetch/$s_!eARn!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff15eaed6-cd75-4fec-94f2-19dbafe55ee1_1024x983.png 848w, https://substackcdn.com/image/fetch/$s_!eARn!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff15eaed6-cd75-4fec-94f2-19dbafe55ee1_1024x983.png 1272w, https://substackcdn.com/image/fetch/$s_!eARn!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff15eaed6-cd75-4fec-94f2-19dbafe55ee1_1024x983.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!eARn!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff15eaed6-cd75-4fec-94f2-19dbafe55ee1_1024x983.png" width="1024" height="983" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/f15eaed6-cd75-4fec-94f2-19dbafe55ee1_1024x983.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:983,&quot;width&quot;:1024,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:null,&quot;alt&quot;:&quot;&quot;,&quot;title&quot;:null,&quot;type&quot;:null,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" title="" srcset="https://substackcdn.com/image/fetch/$s_!eARn!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff15eaed6-cd75-4fec-94f2-19dbafe55ee1_1024x983.png 424w, https://substackcdn.com/image/fetch/$s_!eARn!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff15eaed6-cd75-4fec-94f2-19dbafe55ee1_1024x983.png 848w, https://substackcdn.com/image/fetch/$s_!eARn!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff15eaed6-cd75-4fec-94f2-19dbafe55ee1_1024x983.png 1272w, https://substackcdn.com/image/fetch/$s_!eARn!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff15eaed6-cd75-4fec-94f2-19dbafe55ee1_1024x983.png 1456w" sizes="100vw"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg" class="icon-noB79L"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image buttonBase-GK1x3M"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2 icon-noB79L"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><h4><strong>Mandala of the Divine Dance</strong></h4><p>R&#257;dh&#257; and K&#7771;&#7779;&#7751;a are depicted at the center of a joyous group of dancing milkmaids (<em>gopis</em>). The figures are portrayed in a circular dance, known as the<em> r&#257;s-l&#299;l&#257;</em>, which means &#8220;sweet act&#8221; or &#8220;divine dance.&#8221; This celebrated event took place during a full-moon nights, when the milkmaids of Vrindavan snuck away from their households to the forest when they heard K&#7771;&#7779;&#7751;a playing his flute. There, they danced and engaged in love play throughout the night. Esoterically, this long &#8220;night&#8221; is the Night of Brahm&#257;, which lasts approximately four billion years! It is a metaphor for the dance of life and for the romantic nature of Bhakti yoga, wherein a devotee falls in ecstatic spiritual love with the deity.</p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!6BYK!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F78a0aa09-0e52-4f22-8da6-7e7e7fa1244a_981x1024.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!6BYK!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F78a0aa09-0e52-4f22-8da6-7e7e7fa1244a_981x1024.png 424w, https://substackcdn.com/image/fetch/$s_!6BYK!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F78a0aa09-0e52-4f22-8da6-7e7e7fa1244a_981x1024.png 848w, https://substackcdn.com/image/fetch/$s_!6BYK!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F78a0aa09-0e52-4f22-8da6-7e7e7fa1244a_981x1024.png 1272w, https://substackcdn.com/image/fetch/$s_!6BYK!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F78a0aa09-0e52-4f22-8da6-7e7e7fa1244a_981x1024.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!6BYK!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F78a0aa09-0e52-4f22-8da6-7e7e7fa1244a_981x1024.png" width="981" height="1024" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/78a0aa09-0e52-4f22-8da6-7e7e7fa1244a_981x1024.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1024,&quot;width&quot;:981,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:null,&quot;alt&quot;:&quot;&quot;,&quot;title&quot;:null,&quot;type&quot;:null,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" title="" srcset="https://substackcdn.com/image/fetch/$s_!6BYK!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F78a0aa09-0e52-4f22-8da6-7e7e7fa1244a_981x1024.png 424w, https://substackcdn.com/image/fetch/$s_!6BYK!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F78a0aa09-0e52-4f22-8da6-7e7e7fa1244a_981x1024.png 848w, https://substackcdn.com/image/fetch/$s_!6BYK!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F78a0aa09-0e52-4f22-8da6-7e7e7fa1244a_981x1024.png 1272w, https://substackcdn.com/image/fetch/$s_!6BYK!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F78a0aa09-0e52-4f22-8da6-7e7e7fa1244a_981x1024.png 1456w" sizes="100vw"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg" class="icon-noB79L"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image buttonBase-GK1x3M"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2 icon-noB79L"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p><strong>Vi&#347;var&#363;pa: Universal Form</strong></p><p>Vi&#347;var&#363;pa (<em>Vish-vah-roo-pah</em>) is wonder, awe, our most expansive mystical experience, shown in traditional artworks as a composite being representing all living beings considered as a whole. His name literally means &#8220;Universal Form.&#8221; This is the supreme soul manifesting all its forms and attributes simultaneously. It is one of the most popular subjects for sacred artists, one that challenges the imagination and allows for great creative freedom.</p><p>Vi&#347;varupa is generally associated with a specific description of K&#7771;&#7779;&#7751;a in the <em>Bhagavad Git&#257;</em>, the renowned Hindu text. The story is set amidst a civil war; it is an allegory for our own inner spiritual battle, the practice of yoga, and the nature of reality. Bhakti Yoga was described as a distinct spiritual path equal to the other classical yogas for the first time in the scripture.</p><p>In this tale, K&#7771;&#7779;&#7751;a drives a chariot for our hero, Arjuna-a metaphor for allowing god to direct our life when we are in difficult times. Our physical body is the chariot and our senses are the horses that carry us through the world. At one point during the discourse, after K&#7771;&#7779;&#7751;a has revealed many truths, Arjuna asks his friend to reveal his cosmic form: Vi&#347;var&#363;pa. The awe-inspiring vision is so vast, beautiful, and terrifying that our brave hero is overwhelmed and begs for it to end. So K&#7771;&#7779;&#7751;a returns to his familiar handsome self, and the story continues.#</p><div><hr></div><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://read.tarkajournal.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">Tarka is a reader-supported journal of yoga philosophy and contemplative studies. Subscribe to receive weekly articles and educational resources.</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><div><hr></div><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!SmhK!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F465d22a8-e90e-4410-a04c-5d34de3e89bf_974x1024.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!SmhK!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F465d22a8-e90e-4410-a04c-5d34de3e89bf_974x1024.png 424w, https://substackcdn.com/image/fetch/$s_!SmhK!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F465d22a8-e90e-4410-a04c-5d34de3e89bf_974x1024.png 848w, https://substackcdn.com/image/fetch/$s_!SmhK!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F465d22a8-e90e-4410-a04c-5d34de3e89bf_974x1024.png 1272w, https://substackcdn.com/image/fetch/$s_!SmhK!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F465d22a8-e90e-4410-a04c-5d34de3e89bf_974x1024.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!SmhK!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F465d22a8-e90e-4410-a04c-5d34de3e89bf_974x1024.png" width="974" height="1024" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/465d22a8-e90e-4410-a04c-5d34de3e89bf_974x1024.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1024,&quot;width&quot;:974,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:null,&quot;alt&quot;:&quot;&quot;,&quot;title&quot;:null,&quot;type&quot;:null,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" title="" srcset="https://substackcdn.com/image/fetch/$s_!SmhK!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F465d22a8-e90e-4410-a04c-5d34de3e89bf_974x1024.png 424w, https://substackcdn.com/image/fetch/$s_!SmhK!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F465d22a8-e90e-4410-a04c-5d34de3e89bf_974x1024.png 848w, https://substackcdn.com/image/fetch/$s_!SmhK!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F465d22a8-e90e-4410-a04c-5d34de3e89bf_974x1024.png 1272w, https://substackcdn.com/image/fetch/$s_!SmhK!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F465d22a8-e90e-4410-a04c-5d34de3e89bf_974x1024.png 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg" class="icon-noB79L"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image buttonBase-GK1x3M"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2 icon-noB79L"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p><strong>R&#257;dh&#257;: Rapturous Love of God</strong></p><p>R&#257;dh&#257; and K&#7771;&#7779;&#7751;a, often portrayed as intertwined lovers, exemplify romantic love in Hindu myth. It is noteworthy that K&#7771;&#7779;&#7751;a is her lover, not her husband; their affair is charged with the thrill of danger and secrecy. This could be an allegory for devoting oneself to spiritual practice even when the rest of one&#8217;s family does not. She was a simple milkmaid, but is usually portrayed as an enchanting young girl dressed in scintillating finery, surrounded by flowers and bucolic scenery, symbolizing the passion of her erotic play and zest for life. R&#257;dh&#257; is considered the supreme goddess by her devotees because K&#7771;&#7779;&#7751;a enchants the world, but she enchants even him! She exemplifies the compelling power of romantic longing, as well as the bliss of union. Her love for him was so deep that she came to see him in every person, all objects, becoming the very embodiment of devotion. She possesses the power to attract the all-attractive personality of godhead, so she is the primordial potency of her beloved. Far from being a servant or a subdued wife, she is jealous and chastises K&#7771;&#7779;&#7751;a when he strayed or neglected her for too long.</p><p>For the spiritual practitioner, the energy of longing for complete union is itself divine, as this impulse inspires one to seek beyond worldly concerns. R&#257;dh&#257; embodies the nature of this divine longing, which is irresistible to the object of her devotion, K&#7771;&#7779;&#7751;a, who embodies the beauty of ultimate truth.</p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!N-R9!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64110f33-df5c-4673-8c74-b9581887ea63_696x696.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!N-R9!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64110f33-df5c-4673-8c74-b9581887ea63_696x696.png 424w, https://substackcdn.com/image/fetch/$s_!N-R9!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64110f33-df5c-4673-8c74-b9581887ea63_696x696.png 848w, https://substackcdn.com/image/fetch/$s_!N-R9!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64110f33-df5c-4673-8c74-b9581887ea63_696x696.png 1272w, https://substackcdn.com/image/fetch/$s_!N-R9!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64110f33-df5c-4673-8c74-b9581887ea63_696x696.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!N-R9!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64110f33-df5c-4673-8c74-b9581887ea63_696x696.png" width="696" height="696" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/64110f33-df5c-4673-8c74-b9581887ea63_696x696.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:696,&quot;width&quot;:696,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:null,&quot;alt&quot;:&quot;&quot;,&quot;title&quot;:null,&quot;type&quot;:null,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" title="" srcset="https://substackcdn.com/image/fetch/$s_!N-R9!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64110f33-df5c-4673-8c74-b9581887ea63_696x696.png 424w, https://substackcdn.com/image/fetch/$s_!N-R9!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64110f33-df5c-4673-8c74-b9581887ea63_696x696.png 848w, https://substackcdn.com/image/fetch/$s_!N-R9!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64110f33-df5c-4673-8c74-b9581887ea63_696x696.png 1272w, https://substackcdn.com/image/fetch/$s_!N-R9!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64110f33-df5c-4673-8c74-b9581887ea63_696x696.png 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg" class="icon-noB79L"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image buttonBase-GK1x3M"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2 icon-noB79L"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p><strong>Peacock Rangoli</strong></p><p>This rangoli for M&#299;r&#257;bai features a pair of peacocks, in honor of her dearest K&#7771;&#7779;&#7751;a, who always wears a peacock feather in his hair. The national bird of India, this spectacular bird is significant for many reasons. One is that its elaborate courtship dance and distinctive matin gcall coincide with the arrival of the monsoon rains. After months of scorching hot weather, the cool rains are a blessing. All of nature springs back to vibrant and colorful life. So peacocks are symbolic of abundance, romance, and fertility-much like the handsome K&#7771;&#7779;&#7751;a.</p><p>During the festivals throughout India, common people make decorative rangolis like this one on the thresholds of their homes or on the ground, to welcome guests, beautify the area, and raise everyone&#8217;s spirits. Although the designs are improvised and the symbols may not b e directly related to a specific deity, producing them is a devotional act.</p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!WmFB!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F24add489-a035-469c-b8fa-b52ca184e0c9_1024x910.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!WmFB!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F24add489-a035-469c-b8fa-b52ca184e0c9_1024x910.png 424w, https://substackcdn.com/image/fetch/$s_!WmFB!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F24add489-a035-469c-b8fa-b52ca184e0c9_1024x910.png 848w, https://substackcdn.com/image/fetch/$s_!WmFB!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F24add489-a035-469c-b8fa-b52ca184e0c9_1024x910.png 1272w, https://substackcdn.com/image/fetch/$s_!WmFB!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F24add489-a035-469c-b8fa-b52ca184e0c9_1024x910.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!WmFB!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F24add489-a035-469c-b8fa-b52ca184e0c9_1024x910.png" width="1024" height="910" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/24add489-a035-469c-b8fa-b52ca184e0c9_1024x910.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:910,&quot;width&quot;:1024,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:null,&quot;alt&quot;:&quot;&quot;,&quot;title&quot;:null,&quot;type&quot;:null,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" title="" srcset="https://substackcdn.com/image/fetch/$s_!WmFB!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F24add489-a035-469c-b8fa-b52ca184e0c9_1024x910.png 424w, https://substackcdn.com/image/fetch/$s_!WmFB!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F24add489-a035-469c-b8fa-b52ca184e0c9_1024x910.png 848w, https://substackcdn.com/image/fetch/$s_!WmFB!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F24add489-a035-469c-b8fa-b52ca184e0c9_1024x910.png 1272w, https://substackcdn.com/image/fetch/$s_!WmFB!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F24add489-a035-469c-b8fa-b52ca184e0c9_1024x910.png 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg" class="icon-noB79L"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image buttonBase-GK1x3M"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2 icon-noB79L"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p><strong>K&#7771;&#7779;&#7751;a Gop&#257;la: Divine Player</strong></p><p>K&#7771;&#7779;&#7751;a Gop&#257;la (<em>Krish-nah Go-paah-lah)</em> is romance, beauty, play and pleasure. He is the divine musician who plays the enchanting song we dance to in this game of life. As a handsome youth, he participates in the common tasks of daily life, showing that divinity resides even in the most humble of circumstances. Subject of innumerable works of art, poetry, and music, he is among the most popular of Hindu deities. The famous <em>Maha Mantra</em>, known in the West as hare K&#7771;&#7779;&#7751;a, belongs to him. Most people know only his youthful form, but he grew up to be a warrior, as described in the <em>Bhagavad G&#299;t&#257;</em>. Many Hindus consider him to be a form of Vi&#7779;&#7751;u, but to his devotees, he is supreme.</p><div><hr></div><h4><strong>Thank you for reading this article from Tarka Vol. 1, </strong><em><strong><a href="https://www.tarkajournal.com/store/p/on-bhakti">On Bhakti.</a> </strong></em><strong>Vol.9, </strong><em><strong>On Power, </strong></em><strong>will be coming out soon.</strong></h4><h4><strong>Explore the Print and/or Digital Issues of </strong><em><strong>Tarka Journal</strong></em><strong> in our <a href="https://www.tarkajournal.com/store">online shop</a>.</strong></h4><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://www.tarkajournal.com/store/p/on-bhakti" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!SBzp!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff29ed1ae-b63e-4e31-85cc-6b69fcafa383_1362x934.webp 424w, https://substackcdn.com/image/fetch/$s_!SBzp!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff29ed1ae-b63e-4e31-85cc-6b69fcafa383_1362x934.webp 848w, https://substackcdn.com/image/fetch/$s_!SBzp!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff29ed1ae-b63e-4e31-85cc-6b69fcafa383_1362x934.webp 1272w, https://substackcdn.com/image/fetch/$s_!SBzp!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff29ed1ae-b63e-4e31-85cc-6b69fcafa383_1362x934.webp 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!SBzp!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff29ed1ae-b63e-4e31-85cc-6b69fcafa383_1362x934.webp" width="1362" height="934" 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class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image buttonBase-GK1x3M"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg" class="icon-noB79L"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image buttonBase-GK1x3M"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2 icon-noB79L"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><div><hr></div><h3></h3>]]></content:encoded></item></channel></rss>